How can I become a steadicam operator?
Before you decide to become a steaticam operator, make sure you meet all the physical requirements necessary for this work. Start by learning about the equipment and its abilities either through the training school or talking to some people in the field. Then you will gain some practical experience in working with cameras yourself and then with a crew of film production or advertising agency that specializes in shooting ads. Experience and proven results are important in the film industry.
The basic design of the steadicam device provides an isolated space in which the camera can work smoothly. Probably the most important factor that will become a steaticam operator is to learn to process devices and shoot without adding any other instability to the shot. This requires the operator to actually provide steadicam help to help maintain this isolated space that is created and maintained by a specially designed set. A unique way to develop this interestInvinity is an experience of operating equipment and evaluating the resulting film shots.
Although the steadicam device was designed to distribute the total weight of the unit, usually between £ 30 and £ 50 (13.6 to 22.7 kg), the unit still adds the body weight. The load may seem light for the first few minutes of operation, but for several hours on the feet with the steaticam unit connected can be a physical challenge for some. The load is distributed through the front of the operator's body and may prove to be a challenge for those who do not have a good sense of balance. Overall physical fitness, lack of back problems and a high level of physical endurance are the most basic physical requirements necessary for successful operation of steadicam.
previous experience in working in the film or film Induszkus is the best way to start on the road and become an operator of a steadicam. Since you will be tEchnically, working as an operator of the camera, it is necessary to have some basic experience or training in setting up a shot, framing a shot, smooth scrolling, pulling focus, watching the subject and definitely zooming or approaching. The only way to learn to do all these things well, while in the set is to have an experience of doing it. If you are a newcomer in this industry, start getting a basic camera and shooting your own movies, work on a local TV show or next to a production crew shooting an ad. Instead of real experience, no amount of training or learning books will not replace.