How Do I Strengthen a Teaching Resume?

Strengthen teaching characteristics and teaching concepts. Can enable readers to quickly master skills, improve concepts, greatly help college entrance examination students, and also play a certain role in the training and guidance of teachers before the exam

Intensive teaching

This "Intensive Teaching (Sketch Book)" is a practical method such as intensive teaching characteristics and intensive teaching concepts, drawing skills, and drawing experience tips summarized by the author Du Jianqi during the college entrance examination for more than ten years, so that readers can quickly master drawing skills Improving the concept of painting will be of great help to art college entrance examination students and students of the Academy of Fine Arts, and it will also play a certain role in the training and guidance of teachers before the exam.

The first chapter is the composition of the first chapter, and the second chapter of the business location is also called shape. 1. Shape is perception plus observation. 1. How to quickly grasp the overall shape 2. The overall observation forms an impression. The shape of the three senses determines the big "shape" and the "god"
1. The basic proportions of facial features 2. The positions of facial features and perspective are inseparable 3. The facial features of different age groups reflect different looks 4. Have you noticed the head, neck, and shoulders? 5. Have you used the cross coordinate method? Sketch steps (One)
Chapter III Body Structure I. Physical Consciousness II. Finding a Turn and Sketching Steps (II)
3. Space 1. Near real and far virtual, main real and second virtual.
2. The processing of the object's edge line 3. The processing of the object projection 4. The light 1. The direction of the light 2. The black and white gray formed by the intensity of the light source Chapter 4. What to pay attention to when processing black and white gray 1. Black and white gray rhythm-need Contrast Two, Degree Three, Performance Techniques Chapter Five: Deepening and Adjustment of the Picture I. Top Priority-Deepening of the five senses 1. Eyes-Inner window 2. Nose, most upright 3. Mouth, the most spiritual first Second window of the mind 4. Ear, do you still remember the performance of the forehead? Do you care about the change of the border between light and dark and the physical structure? The reality is too important. The hair and beard make your picture vivid and touching. 1. The treatment of hair volume 2. The expression of texture 3. The push and pull of hair space 4. The treatment of beards 6. The distinction of texture 7. The treatment of clothes 8. The edge line

If you say that people who are engaged in art have genius, it is also obtained by 99% diligence, because what you see is only the result, and the process is ignored. No matter what kind of art, sketch, color or sketch, what kind of attitude to treat, what kind of heart to treat, the final result is different, and attitude determines the result. We all know that color training is a very important part of basic art training. If the probability is given, the probability of color in the college entrance examination is very high. We must do good color training. In recent years, judging from the national art college entrance examination, the color chance of the exam is very high. In addition, most colleges and universities in the country regard color as the most basic requirement, and a considerable number of colleges and universities give life tests to test the color of life as a still life. Therefore, recognizing the importance of color, we should study it and understand it. Of course, we emphasize the importance of color in the test, which does not mean that we are only for the test. We also need to improve our understanding of painting and art. Therefore, we hope that through Du Jianqi's "Intensive Teaching ( The study of Color Volume) will improve your artistic accomplishment and allow you to have a new understanding of color. This will help you to find directions in the process of learning to paint, find beacons and lighthouses, and make you go further on the road to art.

Preface Chapter 1 Color Basics I. Color Classification II. Three Elements of Color III. Differentiation of Several Elements of Color IV. Color is Closely Connected with Real Life Chapter II Sketch Is Skeleton and Color Is FleshUse color-limited sketching to express color The relationship between sketch in the first, sketch is the pillars hidden in color Second, if you want to touch the color, first understand the color-limited sketch 1. Distinguish black and white gray 2. Enlarge the sense of space 3. Shape the volume of the object III. Performance techniques 1. Expand the relationship from heavy to shallow 2. The control of moisture Chapter 3, color composition, is very particular about one, the sense of composition, two, the spatial division of the fourth chapter "shape"-the other half of the color, a few small details to pay attention to shape 1. Golden section method:
2. Master several inequality:
3 All objects must have the same perspective.
4 The picture must have a visual center to distinguish the primary and secondary objects.
5. Do not coincide with the central axis of the object. The objects must not be on the same horizontal or vertical line.
6. The folds of the interlining cloth need to be screened and selected. Not all pleats are painted. There must be more front, less back, sparse, longer and shorter.
Second, the draft, there are techniques 1. Angle 2. Framing 3. Color step chart with pen method (1)

Chapter 5 "Color"-"Color" by Shape
1. Hue, the soul of a painting 2. Quality of color 3. Relationship between several large colors 1. Pure and gray 2. Light and dark 3. Cold and warm 4 Colors are compared 4. How to push space 1. The relationship between virtual and reality Write boldly 2. Color, need to "test color" when necessary
3 Step diagram of rational use of color palette (2)

Chapter 6 "Body" Shaping "Body" by Color
I. In-depth molding should be holistic, partial manpower
Second, pack carefully The key to affecting the volumelight and dark boundary line and edge line 2. Close up
3 Pay attention to the color of the dark part 4 Thousands of miles of difference-Highlights Chapter 7 Adjusting the picture I. Everything, not everything-the importance of the primary and secondary relationship 2. The contrast between the local and the surrounding is a strengthening and weakening contrast White as black, knowing white and keeping black 4. Cherishing ink as gold 5. Projection-so important in a painting 6. To the vastness and subtlety 7. To highlight the intensity of the color Several problems and solutions emerged 1. The combination of the whole and the part 2. The light perception is weak, the projection is emphasized 3. The composition is strengthened 4. The picture is not thin