What do steaticam operators do?

The

steadicam operators are responsible for physical manipulation with steadicam during film filming, which ensures that the scenes are properly shot and deal with the physical requirements of steadicam. Steadicam is a type of camera that is often used in filming that allows freedom of movement provided by a pocket camera while significantly reduces the shivers of the camera through built -in pledge and balanced design. Steadicam operators wear a body harness associated with the steadicam or armature or arm itself; They also use the monitor built into the steadicam to ensure the right frame of the shots and watch the movements of actors or action in the scene. Steadicam is a camera developed in the 70s of the 20th century by Garrett Brown, a cameraman in the American film industry. The basic design contains a camera mounted on a vertical bar, at the bottom of which is a counterweight together with the power supply of the camera and the monitor to display the image captured by the camera. This camera and counterweight includeIn it, a trick that helps to counteract the small movements of the camera to reduce shivers.

From this camera settings, referred to as "sled", it is relatively heavy, steadicam operators wear a body harness to which the sled is associated with the fitting. This body harness promotes the majority of the weight of the sleigh that puts high physical tension on the operator's body. Learning to move effectively when wearing harness and sticking to a sled is one of the biggest challenges for many steaticam operators and requires a lot of practice and training.

Operators of steadicam do not actually support the weight of the camera of the age of age. Since the real viewfinder of the camera is often in a position that the operator cannot be viewed, the steadicam operators must be able to monitor the monitor at the base of the sled to ensure that the scene is correctly captured. In addition to watching what is happening on the monitor, operators also have a truly prochIT WITH THE FILM set, follow the actors and watch the action in the scene without encountering other equipment or anything else. In addition, all this coordination ensures that any specific requirements of the photograph for the scene are also met when steadicam is running.