What is the composer?
Compositor is a video editing program that works with a green or blue screen - or with a brutal movie - add special effects to shots. Although it is common in the films to create dazzling effects, compositional programs are more often used in television shows and broadcasting news and weather. By replacing each pixel color from a green or blue screen with another picture, the weather transmitter seems to be in front of the weather map when it is really against an empty background. Rotoscoping tools that take a character or object from one scene and smoothly transplant it into a different environment are often found in the composer.
Whether someone watchs a movie, a TV show, or broadcasts or weather, is likely to take some composition cases. The main principle of composition is to take two or more image sources and combine them. In the most primitive sense, this is done by shooting actors or actresses against the green or blue screen. Compositor's software understands that green or blueThe screen in undesirable color, so it blocks all pixels of this color and transplants a different image to its place. The problem using this screen is that if someone wear clothes in this shade of blue or green, the program also transplants the background on the top of the actor or actress.
Special effects created by the composer can be dazzling or secular. For the secular aspect, the weather reporter appears in front of the weather or the actor or the actress appears as if she were in another environment. Frying effects can be achieved by filming the tops of buildings and filming someone who jumps from building accessories in a green or blue screen environment and then combines them to create a believable scene. Most composite also generate special effects, such as balls of light with lighting around the surfaces and giving artists the possibility of transplantation of graphics or animation into video media.
sophisticated rotCoping, especially in modern compositorial programs, is a simple performance. When someone rotoscopes add one part of a living film over the other, such as acquiring one shot of the character and transplanting in the background shots or shots of other characters. The user just selects the area, without the need for a green or blue screen, inserts secondary shots and the rotoscope is completed.
What separates a good compositional role from the poor is color control. Rotoscopic and special effects can be done correctly, but if the color is turned off, the audience will see the effect. This means that program users must professionally perceive color and know how to tune saturation and color shade until it looks authentic.