How can I choose the best cymbals?
Drummery should choose the best cymbals looking at the material from which the cymbal is made of its size, its thickness and listening to the tool at low volume. Depending on the specific needs of the drummer, different types of cymbals should be selected, but the most popular are hi-hits, rides and cymbal cymbals. Players should try numerous cymbals before buying and it can also help listen while someone else plays. The best cymbal is finally defined by personal preferences, but players can benefit from learning about factors that affect the tone.
The material that is made of cymbals has an impact on the quality of the sound and the range of tones that it can produce. Many think that cast metal - a mixture of 80 percent copper and 20 percent tin - makes the best cymbals. This mixture is called B20 bronze, named after the amount of tin used. These cymbals provide high sound quality and various tonal mixtures. B8 bronze or or metal cymbals are mir-rosha and brass cymbals are generally considered to be the worst quality.
The best cylinder for specific players can also be determined by their size. Larger cymbals have increased volume, maintaining and fuller sound. This is good for artists in rock bands, because quiet cymbals can be lost in a mix during loud concerts. Smaller cymbals are quieter, with faster response, but less maintaining. Sustain is the time for which the sound rings.
Thethickness can be used to determine the best cymbals in the same way as the size. Stronger cymbals have louder volume and better maintenance. Increased thickness means that more energy is needed to get full sound, but it is ideal when a lot of volume is needed. Thinner cymbals have a smaller volume and will sound fully with less effort. For example, a thick collision cyan requires more effort to achieve a complete "sound" of the sound than a thin one.
Playing cymbals before buying is probably the most important factor in choosing the best actsElů. Players should use light and heavy touches to see how cymbal react to different volumes. During soft strokes, drummers should listen to the quality of the main tone and which undertones can be heard. The overtones are less noticeable, the main sounds of the main. Moving into different areas of the room, while someone else plays, can give the drummers an idea of how the instrument sounds from the perspective of the listener.