How do I prepare for OBOE competitions?
The competition is in places where hoboe serious players show their talent, often at a price, scholarship or formal performance. Preparing for these competitions means controlling what the competition requires and the selection and preparation of music suitable for these instructions. It also means systematically pass through music and preparation of both the instrument and the body of the artist. First, read the instructions for the competition. OBOE competitions often have their own rules in terms of minimal technical requirements, duration and number of pieces. Some have strict regulations on clothing, application and even judges' solutions. The inability of each regulation can result in disqualification, which is a major disappointment for artists and aspirations.
Next, select Music carefully. In some OBOE competitions, the competition council releases a list of repertoires from which players have to choose their pieces. Play through some of the more difficult passages in the works available to determine which composition can be developed well. Ideal work for Oboe competitions are teChnická, but provide an opportunity for an incredible musical expression.
After selecting music, make a routine schedule and methodology. For example, always start warming up with longer and lasting legato passages at work and then move to the technical passages. Find the time of time when practicing is the most practical and productive. Use a variety of practical techniques, such as flowing through a piece on the reed or only with the fingers working from the end of the piece to the beginning and grouping of rhythms in different ways. Finally, lose each piece without stopping and practice pieces in the order of performance to get to know the flow of performance.
Another level of preparation for the OBOE competition is to remember the pieces as much as possible, including the accompaniment that has a double advantage. First, remembering music allows Obaist to play somewhat "automatic pilot". This should not reduce the degree of technology and musicality that Obista achieveIn fact, on the other hand, it should happen because both of them have mentally and emotionally associated with music to a greater extent. Second, remembering often means that both can recover quickly if there is a defect during the show.
Listen as many recordings of the selected repertoire. This reveals different possible interpretations of the same work and allows oboist to explore how the best of all performances can integrate into your own playing. It also provides standards for objects such as pace, so Obaist knows its version of the work adheres to what the composer probably determined for work. Listen to the Countertecekuses of the Ition during mental browsing with all your fingers, playgrounds, breath control and painting reflections.
Success or failure in OBOE competitions sometimes comes to technical aspects of the tool. Adjust the oboe for optimal equipment as needed. Keep the tools to set the OBOE for minor changes necessary due to changes in humidity and temperature at the power point. Create a lot of reeds,Alternate them during the test to manipulate the competition with the deviations of the reeds. Select a handful of reeds a few days before the competition, where the best checks and tone for works can be achieved.
The main problem for both OBOE competitions is the nerves. Obeist may not be able to be completely calm during the competition, but can reduce his anxiety if he performs a competition program for several audiences before the real competition. This gives Obista a chance to run, works while under slightly greater pressure and get feedback from listeners.
Hoboji playing is a very physical process, because both must develop a lot of energy to get the right tone and complete passages with the right technique. This means that part of the preparation for the OBOE competition remains in shape. Be physically fit, get enough rest and eat the right one can improve the wake -up, stamina and lung capacity that is reflected in better gaming.
When you are ready to get off at OBOE competitions, make a final contractLU music, reeds, assigned time and instruments such as swabs and cigarette paper. It is better to avoid listening to other artists, because sometimes it can increase anxiety and doubt. Don't worry about what someone else plays, because the performance date is too late to change any significant repertoire, tone and technique. If possible, before performance, do the "point check" of pieces in the real WhDoje room to get the acoustics.