How can I transplant songs?
Transposition is a process of changing music written from one key to another. The musician must have a basic understanding of interval relationships and key signatures for the transport of songs. The actual process consists of three main steps, including the analysis of the instrument key and the original music, looking at the height intervals with a note and checking any coincidence. For example, clarinet must play apartment B to match the C on the piano. The key of these instruments determines how far the musician must adapt to performance. Some tools, such as violins, flutes and oboys, do not exceed, which means they play C to match the C on the piano. The transposition of these tools is only carried out to meet the problems with a turnkey range or switch to the artist that is not so difficult for artists.
As soon as musicians know the key and instrument for which they have to transplant songs, they look at the turnkey in which music is originally written. Then they compare it with the key they want to be music. For transposition tools it is usualE key in which they play unless there are problems with scope.
As an example, let's assume that the original music was in the key C. However, the musician needs the music to be in the key F, either because it is the way his instrument is built, or because Key C creates performance problems. The key F has one apartment, a B apartment, so the musician uses it as a new key signature and considers F to be a "home base" with a note or tonic. It then acknowledges that the interval between C and F is the perfect fourth climb or fifth decreases. This tells him he has to lift all the notes in the original music perfect fourth - or alternately reduce them by fifth - in order to make them in the key f.
As the musician increases or decreases the individual playgrounds of music to suit the new key, follows the basic rule: Transposition does not change the regime or the main or less assignment of work. For example, a piece that is in the main one remains in the main. To do thisbecause the musician does not change the written relationships between melodic intervals or what scale the grade represents the playground in the original key. It only changes the starting point around which the intervals are centered.
During the transposition process, the musician takes care of concentrating on any coincidence or changed playground in the work, because it is an interval, not a random symbol that must remain constant. For example, a diatonic or main scale consists of the following interval series: the whole step, the whole step, half the step, the whole step, the whole step, the whole step, half a step. Thus, in the key C are playgrounds related to diatonic scale C, D, E, F, G, A and B, SO agmented or raised fourth beginning C would require F sharp. In the key f there are pitchs of related diatonic scale F, G, A, B FLAT, C, D and E, so the widespread fourth would require B natural.
Although musicians with knowledge of basic music theories can transmit songs quite easily by hand, it's time consuming. If the musician does not have time nAnd the transposition of songs can quickly enter the original key into different music software programs. With these programs, the musician can choose the key in which he wants music to be, and the computer will do all work with transposition through the program automatically. The advantage of this is that if a musician needs the same piece in multiple keys, he can enter a few quick commands in the program to get what he needs instead of passing through the whole piece with a note for each key.