What is the contrastor?

In the instrument and in the voice, the range of the playground from the lowest to the highest possible remark is finally and the music has provided expressions such as bass, tenor and soprano for categorizing different ranges. Countertenor is an unusually used term for male singing, the range of which is quite extreme, ranging from low tenor notes to the middle tones of the highest soprano voices. Music compositions specific to this large -scale scope were not unusual in the foresters for the Church Church or Castrato, whose change of pubescent voice was arrested. Most modern contrastors use singing techniques called Falsetto voice to achieve high tones and chest voice to achieve the lowest.

In men, the tenor's voice is the most common one who keeps the melody of a piece. The origin of Countertenor was the second voice that provided a harmonious unison octave over the lead tenor or the melodic counterpoint in the same tenor range. With the popular introduction of the four -part music, this term came to refer to the voice that overlaps the upperThe end of a number of tenors, also calls Alto Voice. Part of the anti -brine was the most popular in the middle to the end of the 16th century, when the Roman Catholic Church forbade women to sing in churches.

One of the consequences of this era was the need for men who could sing in the soprano range. This part fell on Castrati - boys who were neutered before adolescence to maintain a clear and high pitch of their young voices. Even after this drastic surgical intervention became morally and legally unacceptable, music continued to be written for the voice range of the anti -Strong. In such cases, for example, the opera role can take over the Soprano woman in the costume of a man. Occasionally they encounter modern vocal compositions, partly because it has such a dramatic range showing the singer of technical skills.

Male countertenor is roughly equivalent to the female mezzo -soprano or perhaps Constalto. Can be able toto hit a note of up to two octaves over medium C on a standard musical scale. This is physically impossible in a normal or modal voice of a normally developed human man. He must limit his neck vocal cords to create a higher, falset voice. It is usually characterized by less dynamic, almost electronic tonal quality.

Countetenors can usually hit notes lower than the average female counter, perhaps as low as the note e under the middle C. This represents a dynamic claim that the singer is truly a man. If the singer fails to reach lower notes, he can release his membrane muscles and instead simulate a strong flow of air with an exaggerated vibration of his vocal cords in a technique called the chest voice. The greatest technical difficulty of good counter -performance is smoothly and imperceptively switching from a modal voice, either to Falsetta or the voice of the chest, as dictated by a musical score.