What is altissimo?

Altissimo is a musical term referring to the scope and frequency of tone, specifically very high notes. Some definitions are very specific about which notes are altissimo and which instruments play them. If they do not apply to any particular tool, altissimo notes are the notes starting at G in the octave above the height key or any G6 or higher note. In general, beyond the range of all members of Sopranino or Sopranino in the families of instruments. These notes are often referred to as "whistle" for singers, although the production of the "whistle" tone involves different physiology, which is required at different points of the playground for different individuals and can therefore happen before G6. Although all types of voices have an upper whistle that can be able to achieve the right training, they are only able to produce sopranos or women with the highest voice -gone true altissimo of G6 and higher.

Slightly looser definition considers altissimo notes to be the highest notes, of which any toolJ is able to produce, while some people limit Altissimo to Woodwind tools. This definition concerns courses above the generally accepted tool range. For example, the G5 is considered the highest playground, but both are exploring new fingers and techniques to achieve the playground higher than this. Playing in this range is therefore somewhat widespread or advanced technique.

Performance Altissimo creates clear problems for players or singer. First, for instrumentalists, the playgrounds are very difficult to keep in the melody, and although the fingers are usually based on the harmonious tool system, the fingers can be somewhat embarrassing and difficult to produce with the device. Secondly, instrumentalists must also set up a musclpaam of accurate pressure and shape of our own to speak, which requires time and extensive practice.

for instrumentalists is not just an artist that determines whether Altissimo is possibleNo. The instrument itself matters. The performers must find the right mouthpiece and a combination of reeds that suit their mouths. In addition, it must maintain their tool in excellent condition, as any air leaks can prevent the right finger from work as it should. Some players find that they can achieve extreme upper courses much easier by simply adjusting these factors.

Unlike instrumentalists who can somewhat experiment with their fingers to create different playgrounds, singers are naturally somewhat limited by the shape and length of their vocal cords and support tissues. For many singers, voice mechanisms are not simply designed in a way that allows you to reach Altissimo notes well. The requirement for air pressure to vibrate vocal cords is tiring, so extended playgrounds can only appear once or twice throughout the work.

singers who can produce a clear pitch pitch are considered to be a rarity in the music world and can be knownmy ability to achieve an extreme upper part of their reach. Probably one of the most famous examples of a singer for whom it was true was the soprano Lucrezia Aguiari, commonly known as La Bastardella, who sang for Wolfgang Amadeus Mozart and who was reportedly able to achieve the C7. Mariah Carey and Georgia Brown include more modern singers who are known for their whistles; Brown claimed to have reached G10, but there is no record of evidence. The ability to produce playgrounds around the right starting point Altissimo, G6 is much more common - for example, the famous Aria "Der Hölle Rache" from Mozart's "Die Zuberflöte" requires the Queen of the Night to have a good F6.