What are the different types of mats?

mats on the spinhole are round pads sitting on a plate of turntable; They can suppress or otherwise affect sound and also increase the record from the plate to allow looser vibrations. Different materials affect the vibrating reactions of sounds with their own characteristics. In thicknesses from one to a few millimeters, these mats differ in properties such as grip, antistatic properties, resonance and even appearance. Real mats made of acrylic resonance resonance resonance resonance; This can reduce noise, but if it's too far, it can result in a dull sound. More expensive composite materials, such as carbon graphite, are designed to absorb energy with characteristically low mechanical impedance.

mats can be made of easily obtained materials such as rubber or leather, or two materials connected together. For example, a copper mat covered with a layer of felt can provide favorable properties of more expensive types of pads. Finding a pad that hits a perfect balanceThe vibration and tone is very often a subjective experience. There are also many other materials such as rubber and proprietary and multilayer varieties.

Slipmats are different mats that use Disk Jockeys (DJs). These allow recording to turn at consistent speed by maintaining a good grip on the disk. When DJ holds the record to temporarily suspend play, the plate is still rotating. Scratching, as it is commonly called, is a rhythmic manipulation with this effect popular with hip-hop music and allows DJ also playing with music. Cut the plate such types of mats and allow handling of a smooth finger.

trusted audiophiles and enthusiasts of records choose their mats that would balance with components such as stylus, tonearm and other mechanics that can and affect the final sound. These mats are sometimes used with cork rings or pucks made from other materials to stabilizedisk and help him play with resonance and optimal frequency response. Different materials that have different mats affect the reactions of styles or needles. As a stylus, he oscillates in the groove, some of his vibrations are brought back to vinyl; This can worsen the brightness of the signal, with audible relics that can be fatal or amplified by the pad.

Finding the right balance for optimal sound is often a compromise between technology, costs and personal taste. Players represent different levels of motor noise and performance. The moving apparatus introduces imperfections in sound reproductions. How well the gramophone mats do is the result of their conductivity, mechanical impedance and absorption; These are directly affected by materials and thicknesses, as well as rigidites and shapes. Experimenting and experiences appear to inform the right type for the sound system.