What should I look for when buying a camera case?

When buying a camera case, a number of main points need to be considered.

First, what is your price range? Cases may vary from less than $ 10 for cheap small polyester and nylon case, up to $ 600 for a fully charged backpack backpack, water resistant. The price of the camera you protect will undoubtedly affect how much you want to spend on the case - after all, if you are trying to defend 6000 $, invest everything that lasts in good case is essential.

Second, what will this case of the camera? If everything you are looking for is something to be able to digital point-and-scoot, you may want to look at the manufacturer's cases. They are usually quite affordable and tailor-made for your particular camera-it is maximized protection and minimum volume. If you have a SLR camera with your body and one or two lenses and maybe some other memory of flash (or movie), you will probably want to look at the arm limit, minimal volume, while ComfortAbly wears your supplies. If you have a number of lenses, another movie or memory and even a tripod or two, investment in a backpack is a great choice.

Third, how much protection does your case must offer? The simplest, lightest and cheapest cases are made of a very simple, spreadable combination of nylon and polyester. At a higher market, you will find tears resistant and very durable nylons. For photographers in extreme conditions, there are cases of hard cameras - they can be found from durable plastics, aluminum or titanium. Water wrapping can range from absolutely no to completely resistant to water to extreme depth. Internal padding is also worth examining - the perfect exterior does nothing good if your camera and lenses are banging against each other inside the camera case. Most large cases have adjustable panels to better match your components and some of the foam formiting to ensure absolutely no movement.

Finally, how much will you move with this case? In small nylon cases, this is a problem, but for larger professional cases this becomes essential. If you are primarily a photographer of the studio and need to move the device from the car to your shooting, weight and carrying are less problem. Cases Handle, bulky and metal and metal are not completely excluded. However, if you are planning an extensive field photo, especially in harsh terrain, the tapes and weight become the central point of concern. Keep in mind that although the cervical straps may seem perfectly fine to try a case in the store, after six hours of hiking around your neck, you can deeply regret that you have gone through a hip or camera backpack.

There are several minor problems that you can consider when buying a camera. Belongs to:

• alternative friendrials - you can still find cases virObtained from leather or natural fibers, although largely replaced by synthetic due to their low weight and durability.
• tripod straps -Mnoho top cases, especially the style of the backpack, has straps on the side of one or two tripod. It can be a big blessing, especially in tourism shoots.
• quick relaxation - the ability to get the case on the camera from the body and on the ground and open in seconds can mean the difference between catching a perfect shot and watching it. Fast release functions help ensure that you spend as little time as possible, as the camera from its housing into your hands.
• locks - some cases include their own padlock or key locks that protect your device. In general, it is preferable to buy a better lock that adds to the camera case if you need this added security.
• rollers -like most modern luggage, some of the larger cases have rollers and tensile hands to help you bring the camera case from one place to another (of course, provided there are surfaces).