How can I become a specified decorator?
If you would like to direct the talent for design to your career in the film and television industry, you may want to become a specified decorator. The decorative set is responsible for creating the appearance of the set, from furniture to records as items in the refrigerator or litter on the sidewalk of the city. Before you can become a decorative set, you will need an in -depth knowledge of the design that you could get through the artistic title. Most importantly, however, you will have to gain experience by working in the relevant positions at the assistant level. If you want to be a successful specified decorator, you should also be very organized, inventive, willing to follow the budget and ready for hours and be able to interpret the visions of directors. As a result of the decorator, you will need extensive knowledge of the DPRINCIPS and HISTORY ESIGN. This knowledge could be obtained by completing a college or postgraduate course in the field of design, filmby studies or other relevant areas. Alternatively, you could work as a window chest of drawers in a large department store or simply learn to design through a careful independent study.
No matter how you get the knowledge of design, the most established set of decorators agrees that the most important step in effort to become a specified decorator works in the relevant positions of assistants. In other words, the setting of decorating in general is not the work that one goes to, but rather a career in which he is building. If you want to enter this field, you should look for work on the scenario of the scene. Although such a position will inevitably include some "grunt work", it will also give you valuable practical experience and can also start building a network of industrial contacts.
The most successful, sought -after decorators share several personality traits after determination. First of all toThe production in the timetable was in motion, it is essential for the set decorator to be highly organized. Decorators should also have the ingenuity needed to perform fully realized sets when observing the production budget. In addition, decorators must be willing to work long or unusual hours, because they will probably have to start preparing sets long before the start of shooting every day. Finally, the set decorators must be able to accurately interpret the vision of directors, which can sometimes mean comfortable resistance to their own tastes and ideas.