What Are the Different Types of Sound Engineer Qualifications?

Stage sound engineer refers to the use of professional equipment to regulate the sound quality of various sound sources in specific cultural and artistic venues such as music, dance, theater, art performances, film and television, song and dance halls, conference halls, recording studios, stadiums and other cultural venues. Personnel; practitioners responsible for sound design, installation, commissioning, and testing in stage engineering; practitioners responsible for lighting product design, production, and testing during the stage audio production and distribution process. The sound engineer is also called the tuner.

Sound engineer

Right!

Stage sound engineer refers to music, dance, drama, art performance, film and television, song and dance hall, conference hall, recording production room,

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Sound engineer training courses

1. Attributes and measurement of sound 2. Principles and applications of electroacoustics 3. Skills of using mixers 4. Skills of selection, connection and use of various peripheral equipment 5, Composition and operation of modern audio equipment systems 6, Large-scale stage performance operation skills introduction 7, digital mixer operation and use 8, digital network audio and media matrix operation and use 9, live surround sound principle and appreciation. 10, live audio equipment operation and drill

Lighting teacher training courses:

1. Properties and measurement of light and color 2,

For the opera stage sound engineer, the biggest purpose is to use the audio equipment in his hands to complete the re-creation of artistic works. The regulation of audio equipment not only requires the sound technicians to have a wide range of professional knowledge in electronics, acoustics, acoustics, natural sound effects, and electro-acoustic technology, but also a certain degree of musical knowledge and artistic accomplishment.

From the perspective of acoustic aesthetics, in addition to mastering certain professional knowledge, the more important point is that stage acousticians must have certain artistic accomplishments and acoustic aesthetic accomplishments. For stage sound engineers, we are faced with natural sounds, human voices, music, and complex listening environments.We are looking for beautiful sounds. To make the sounds harmonious and pleasant, they do not have a certain artistic accomplishment and acoustic aesthetics. Cultivation is difficult to achieve. In the production and reproduction of stage plays and stage performances, a large part of them are used to shape artistic images. The sound that shapes the artistic image is not chaotic, but organized, and includes performances, vocals, narration, contrition, melody, rhythm, beat, mode, tonality, harmony, polyphony, speed, intensity, tone, etc. The basic means directly expresses people's thoughts and feelings, and has a special artistic appeal. It is itself a complete art work. Our stage sound engineer is to understand and understand the stage show, use the equipment in hand, and cooperate with the actor's singing, reading, doing, playing and band performance to transform the work into a beautiful sound, so that the stage works have artistic appeal. force. Specifically, a good stage work, from the creation of the script to the choreography of the music, expresses the author's certain thoughts and feelings. Actors and band players must use their own voice and performance skills to express this emotion. Singing and playing this artistic form infects the audience, so that while enjoying the art, the audience also deeply feel the ideological connotation of the play. Our stage sound engineer must also express this emotion accurately during the operation of the play, including the design, production and editing of natural sound. This requires us to first understand the ideological connotation of the play, and then according to the perspective of acoustic aesthetics, master the singing style of a play actor and the balance and level of the band's accompaniment, etc., to make and reproduce the sound effects. Only by doing so, can we give full play to our creative potential. If you don't have a certain artistic accomplishment, it is impossible to have a deeper understanding of art works, and it is impossible to complete the re-creation of art works through the audio equipment you have mastered.

In actual work, it is necessary to follow the principles of acoustic aesthetics. The stage sound engineer must achieve the balance of the voices during the band's performance and the actor's singing. There should be a major and a minor in the volume distribution. . For example, our group participated in the provincial art festival in 2007 and won the first prize of modern drama "Ziying". In 2008, it participated in the National Peking Opera Festival in Shandong and won the National Outstanding Repertory Award. Its music processing, each piece of music has ups and downs, it is not the same adjustment for different styles of music performance and singing, there is a high-profile strong stimulus, such as the fourth round of water, showing the master Ziying in the music Psychological pain, sadness, resentment, and anger, combined with the actual control of the sound to give a rich musical change simultaneously.Another example: the fifth dialogue of Zi Ying and Yun Xiao in music.The background theme is composed of Erhu, Pipa, Xiao, The main strings and chords of several bars, such as dulcimer, are played alternately.The bass of the big bass is low, and the actor's clear dialogue is not destroyed in the sound control.The main melody of each instrument is individually improved, and it is sometimes low and gentle in melodious music. At times, it is exquisite and beautiful, highlighting the complex emotional changes of the two people's inner world, making the music sound more vivid.

Modern music is different from traditional music aesthetics. Popular music uses the rhythm part as a skeleton, and pays attention to the volume of percussion and rhythm instruments, while traditional music, whether it is western music or folk music, pays attention to the balance of the overall volume and does not highlight a certain part. Therefore, in the actual operation of our stage sound engineer, we must use the sound equipment to play a role of sound beautification based on these knowledge. A large part of the recording of music programs, stage performance art, etc. are performed through audio equipment. In this way, the adjustment and control of the audio equipment has become an important link in the integrity of the entire artistic work. As an operator, you need to use the audio equipment you have in your hands as a means. Through the operation of these devices, you can penetrate your understanding and knowledge of musical works and performing arts throughout the process, so as to complete the re-production of musical works. Create, make the sound more beautiful. The success of a play is inseparable from the efforts of the sound workers. We audio workers should actively and seriously cooperate with actors and performers, and be responsible for doing their own sound work to complete the creative expression of a stage play.

How can I improve my artistic accomplishment? The first is to read the books on acoustic technology and acoustics carefully, and to continuously apply and summarize experience in my work practice to improve my level of operation skills. The second is to learn music knowledge, listen to some of the world's famous songs, modern music, traditional music and various styles of music, and feel the sound recording and tuning methods of the sound engineer. The third is to make friends with a wide range of performing artists, learn from them, familiarize themselves with the styles of various performing arts, master their characteristics, and accumulate their own artistic knowledge. Through long-term unremitting efforts, we can improve our artistic and acoustic aesthetic qualities.