What Does a Bass Luthier Do?

As the world's premier double bass soloist, Gary Carle benefited from his precious guqin. In the Moses Fantasia, which he played as a soloist, he did his best, playing like a cry, The singing melody is very melancholy, and the mellow tone is clear, and the melody is visible in the low, which seems to be in harmony with the fate of Moses who led the Israelites out of Egypt.

London Double Bass

Album Artist: Gary Karr et al.

Introduction:

Album introduction

I have heard the gorgeousness of the violin

I heard the elegance of the cello

Come and listen to the double bass

...

Ha ha

Probably have to use incredible

This rare double cello album is the last of the "London Fiddle" series. Although it is only from a well-known British company-GALA, it is from the London Philharmonic, Royal Philharmonic, BBC Symphony Orchestra, etc. Many violin masters from top British celebrities collaborated to record. The album is performed by top British double bass master Gary Karr and 8 other double bass players from various top orchestras. It includes 15 pieces of music, from St. Sang's "Elephant", Paganini "Moses Fantasia", Bizet's "Carmen Fantasia", Broadway composer Cole Porter (I LOVE YOU, SAMANTHA), jazz century master Earlington "Duke" (DUKE ELLINGTON ) S work SATINDOLL , musical master JEROME KERN s work OLDMAN RIVER , composer VICTOR YOUNG s work WHEN I FALL IN LOVE , jazz sacker The work "TAKE FIVE" by the master Paul Desmond (PAULDESMOND), then "WHEN I'M 64" by Beatles and "WANNA BE" by the hot girls, the styles are different and wonderful ...

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Listen, London double bass is singing!

Wang Shizhao

...

The eight violins acting as a concerto also have a high-level interpretation, which complements the solo violin. In "Prayer", Gary's solos are almost performed in high positions, and the smooth and shiny texture and transparency of the high frequency in the high frequency of Amarty Guqin can make the enthusiasts coveted. !! In "Harmony", the 8 violin performances of the allegro-like start of the song are hearty, and the response speed to the listener's equipment is a severe test. If it is replayed in an advanced sound system, the ensemble will skip the bow The tiny noises produced by the instant friction and contact of bows and strings can be heard. Gary's solo timbre sounds beautiful, like a red flower against a green leaf, but does not conflict with the "cluster" sound of the concerto. The overall liveness of this song is excellent, and the transparency is almost impeccable. In addition to the above 3 pieces of music, all the other tunes are performed by 8 well-trained and acquainted musicians. Although the song "Elephant" is only performed at a medium speed, the heavy low-frequency texture, the majestic force and the indomitable marching sense can make any listener's heart beat.

In "Carmen Fantasia", each player's division of melody and chords, the melody voice is romantic, and there is no lack of strength in the speed. If the listener's replay equipment level is slightly insufficient, then what he hears is probably a mess, There is no way to talk about the sense of layering and line; the chord part is stable and sturdy, which is simply the combination of low-frequency power and beauty, which can immediately make any speaker with a low-frequency reproduction power that is only a little worse. The sound of "Shooting" keeps on, I'm afraid there is no "beauty" at all! The song "I love you, Samantha" has a strong classic charm. After being adapted, it is more elegant and graceful. It is soothing and relaxing and fascinating. "Old Man River" is also familiar to Chinese music fans. The harp played a beautiful introduction and spread it freely and freely. The clear tone like a mezzo-soprano and the bass-like tone played by the lead double bass form a "harmonious" and pleasing contrast. "Take Five" was originally written by Paul Desmond for the quartet of his white jazz piano master DAVE BRUBECK. It was one of the most famous jazz pieces of the 1950s. The recording of the song is also very good. Among them, the bassist Eugene Wright's finger struck the strings before picking the strings. The slight sound of the moment is clear and audible. The drummer JOE MORELO's drum rack. The sound of the trembling of the metal springs is really in my ears. This time the double bass performance basically retains the jazz flavor of the original song. The quality of the recording is naturally better than that. The sound performance of the double bass is self-evident, especially the percussion sound in the song. The excellent and deep sound recording made the drummer IAN THOMAS deep in the right side of the recording scene with the subtle and clear sound of a small drum stick tapping the copper cymbal. The most specific and experimental recording on this disc is "Want to Do"! At the beginning of the song, the cheering sound of the "hot girls" was simulated by the extremely short rapid playing of the double bass, followed by Ian's drum and the electric power played by the producer of this disc, DARYL RUNSWICK. The bass played a cheerful and powerful rhythm, and the subsequent double bass has been simulating the singing of the "hot girls" in a high position. It is exquisite-not only can it simulate the buzz of the "elephant", but also Simulating the groaning of a bass, but also simulating popular songs such as "Hot Girl", which other musical instrument can be compared to such singing and expressiveness? Set of 9 British double bass masters on one disc, melting classical, jazz, rock and other styles in one furnace. Recording, mastering, pressure disc production and other aspects of excellence, perfection, CALA and "Tianle" two major The efforts of the feverish record label contributed to the success of The Sound of London Double Bass.

01. Elephant

02. Mosses Fantasy

03. I Love You, Samantha

04. Satin Doll

05. Carmen Fantasy

06. Prayer

07. Ol 'Man River

08. Wannabe

09. American Basses

10. Frere Jacques Fantasy

11. Scherzo

12. Tea for Two