What is the customer doing?
2 -ways cooperate with other members of creative staff and actresses and actresses to give people reasonably costumes for production and their needs. Many customers specialize in a specific area of interest, such as costumes for opera or costumes for television production. The creative team, including people like director, Set Designer, Lighting Designer and Artistic Designer, are involved in the production discussion. At the meeting, he speaks of a creative vision that accompanies production, and the general appearance and feeling that are desirable. For example, the production of Hamlet for the stage has very different requirements than a television medical drama. During this meeting, the customer takes notes and begins to develop ideas.
As it proceeds from the cast, it develops costumes that are specially designed for the bodies of their bearers, taking into account the needs of the actor or actress and production. For example, opera stars must be of space to breathe deeply and spread their chest and membranes so that a highly restrictive costume is not a requestBut because opera stars tend to be large, the customer does not want to cover them into amorphous garments that hide their bodies. Thus, the scope must achieve a balance that allows the artist to sing and at the same time maintain the required aesthetics.
The shot is responsible for the overall appearance associated with costumes in production. He or he usually works with a seamstress that spreads his own pieces, as well as people who specialize in finding costumes for sale or rental that can be used in production. As soon as the production begins, the Tumer Cosplace is taken over by the wardrobe manager, who is in charge of keeping costumes in good condition during production. The wardrobe manager cleans, mends, makes adjustments if actors or actresses turn into size and shape and follow all costumes.
in television productions where production is constantly starting and ending on new episodes, the customer can work several episodes forward and at the same time withImmanding episodes that are currently in the air and production. TV loaders often have to think about problems such as hiding or adapting pregnancy on long -term programs, changing the appearance and feeling of the character over time to keep the character's costume progress with its emotional development, and even the costume of various actors take over roles to make such transitions relatively smooth.