What is the music editor doing?

There are several different definitions for the work of music editor. In journalism, the work of a music editor is primarily to control various musical compositions and provide a written review or comment. The music editor usually completed formal education or training in music at university or university. Judgments for music editor include music reviews for the music publication company, magazine or website or work on the composition of new music.

The primary responsibility of the music editor can be divided into three wide categories: participation in music performances, writing articles and reviews and providing consulting services. The types of music performances that can be expected to attend the music editor are very diverse depending on the local music scene. Many music editors cover a large city or area and can revise music theater, classical music, jazz or scene of the local band. The ability to check this wide range of genres requires a combination of open mind and obYectivity. All music genres have technical and powerful elements that are a source of pleasure for listeners. The editor must know what these key elements are, identify and evaluate them.

The music editor can be part of a larger department of music and performing art, or could be the only person assigned to cover music for a larger newspaper or magazine. In the large department, the music editor may be responsible for the management of two or three writers who truly participate in musical performances. He or she then focuses primarily on the assignment of tasks, modifying the filing of writers, checking the facts and ensuring a consistent voice transmitted to the published work. Music editors for smaller publications can be responsible for writing all articles and reviews.

Music editors often expand their role -lecture business after several years of work in the editorial role. Could focus on a particular tYP music or specialized in the performance or presence of a phase. A set of skills that is necessary to become an editor of music provides an increased ability to provide professional advice for artists on stage presence, technique and experience of the audience.

In order for the applicant to qualify as an editor of the music editor, it is usually expected to have a portfolio or a list of professional musicians he worked with. This work does not necessarily be as a music editor, but may be in the field of music publication or related areas. This role is not a position on the basic level, but the one that requires at least five years of work experience in the related position.

In the film and television, the task of building an music editor is to assemble and edit music for a production soundtrack. He or she is also usually responsible for creating a temporal score or "Temple Track" that can help set the tone during production. The editor also synchronizes music to the final picture.