What Does a Theater Manager Do?

A one-act musical comedy, it is not a pure opera or opera. Stefani screenwriter, composed by Mozart, performed for the first time on February 7, 1786, at the Hungarian Theater. Also staged was Casti's lyrics, and the Italian opera "Music over Word" composed by Salieri, which was considered to be an extraordinary arrangement in an attempt to compete German opera with Italian opera.

Theater manager

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A one-act musical comedy, it is not a pure opera or opera. Stefani screenwriter,

The whole play consists of ten scenes, except for the prelude played in the beginning, which is the aria in the seventh and eighth scenes, the trio in the ninth scene, and then the four-person singing and four pieces in the final scene, but in addition to the solid structure The prelude, the other four songs also have their own characteristics, fully revealing Mozart's novel and proficient writing skills. The rest of the actors only had "white mouth" and no vocals. All "white mouths" are spoken in white, not used in later operas

The story is about the 18th century Salzburg family

The prelude is about 4 minutes and a half, and the whole show is about 27 minutes. Band organization

Commentary: A theater manager named Frank organized a theater company in order to start a business in Salzburg. To this end, self-recommended actors and singers introduced by others followed the exam. Mrs. Hertz and Ms. Silberk Lange, as singers, were considered by Frank as very suitable. However, they quarreled because of the protagonist, and the male singer also joined to form a trio. But soon, reconciliation for artistic reputation constituted a happy ending.

Overture: urgent, c major, 4/4. The scale of such an opera's prelude is so large that it is truly amazing, like the first movement of a symphony, with a strict sonata style. The first is the ensemble of the first theme, which is shown with a strong contrast. After the violin was divided into two parts with lively sound, the second theme was played by the first violin in the genre. The woodwind and bass strings also played a decorative role in color. The violin succeeded in playing a continuous sound pattern, and then reproduced the first theme into the development section. After developing with this theme as the center, it was imported into the reproduction section, and the second theme was returned to the main key for reproduction. The prelude ended in such a grand manner.

The whole play is divided into four sections:

The first paragraph is Madam Hertz's small aria: small broad board, C minor, modest Allegro on 3/4, C major, 4/4. After the four-bar prelude that took over from the big pipe to the oboe, he sang the sadness of parting: "The cruel parting time has come, ah! Devil, how can I live without you!". Soon, it became an Allegro. "The parting distressed mood made me not hesitate, no matter what my destiny, the tightly bound love can't be broken." This vocal section has an Italian-style, gorgeous floral soprano soprano's sad aria.

The second paragraph is the mantra of Silberke and Miss Lange: a small allegro, E flat major, 2/2 beats. This piece of music is in stark contrast to the number one, with a tune similar to that of a French-style gavote. After the ensemble of eight bars, he sang, "Lovely young man, let me accept your love ecstatically! Because you can find my happiness in your kind eyes". Go to the Allegro section and continue to sing, "Nothing can compare to your heart and your hands", ending after inserting into the gorgeous flower cavity of the soprano.

The third paragraph is a trio of Mrs. Hertz, Miss Silber Lange, and Fogelsang: soon Allegro, B flat major, 4/4. Miss Silberk Lange said, "I play the protagonist according to the contract!" But unexpectedly, Mrs. Hertz said, "Resolutely oppose!" So "I am the protagonist!" "Not so!" The two women The actors quarreled. Fogelsang came in to mediate them, and the two female singers used all the skills to compete with each other. It constituted a very interesting piece of music, moving forward with changing rhythms and changing techniques, and finally extolled the art End of the hymn. This is a funny trio with rhyming

The fourth section is the finale: the quartet of Mrs. Hertz, Miss Silber Lange, Fogelsang, and Bouff. Allegro, C major, 2/2 beats. As a result of the debate, they finally settled for noble art, and everyone decided to work together. The singers sang the quartet of the final scene together. Here a relaxed Wardville form is used. After the brisk prelude, Miss Silber Lange first sang "Artists work for reputation and want to keep their artistic youth forever. Without this impulse, all art can only stay in a small state" , Sing out the artist's ideal. Then there was the chorus of other people, and the bass of the actor Bouff was added. We have a great reunion worth celebrating.