How can I choose the best mouthpiece of clarinet?
The most important part of clarinet is probably the mouthpiece. The mouth of the clarinet is a place where the reeds sit and vibrates and is part of the instrument around which the player puts his lips. Choosing from the best clarinet mouthpiece means determining what a player can do physically and musically, selecting satisfactory material, choosing the dimensions suitable for the needs and tone required by the player and physically test the mouthpieces with the new reeds in different environments.
The first step in choosing the best clarinet mouthpiece is the player's ability to assess the player's ability. The player who is just starting still needs a good reaction and control, but they do not always know how to properly take care of the mouthpieces and still develop the techniques necessary to perform the basic tasks on the instrument. Cheap plastic mouthpieces are usually fine for these players. More advanced players, however, are more aware of the subtlety between Mouthpieces, play in a wider range of environments that require different tones and projections and have more developed inscriptions. These players often need mouthpieces of different quality,physical dimensions and materials to gain the sound and response they want.
As soon as the player knows the level of abilities, it must decide which material should be clarinet mouthpiece: plastic, hard rubber, metal and glass or crystal. Most beginners play on plastic mouthpieces because they are durable and cheap. Hard rubber is likely to prefer material players the most. It is slightly more expensive than plastic, but it mixes better in the files and has a consistent darker tone with strong foundations and lots of undertones. Metal mouthpieces project more and are therefore more suitable for solo playing, especially jazz, while crystal mouthpieces are extremely stable, but fragile.
After selecting the material, judge the dimensions of each clarinet. Three measurements affect the playability and sound of clarinet mouthpiece, including the opening of the tip, direction or layman and partition. Opening the tip refers to the space between the tip of the reeds and the mouthpiece. Face in tThe cane or layman applies to the length of the curve from the tip of the reed to the place where the reeds touch the mouthpiece. The partition is the surface of the mouthpiece opposite the window or opens, above which the reeds sit.
See the dimensions of the clarinet mouthpiece under the lenses of air resistance, paint and reaction. Regardless of which mouthpiece the player should be able to freely throw the right hardness of Reed, so the player does not have to work too hard. The player overload determines how much pressure the player must exert on the mouthpiece to get a concentrated sound. The answer is a combination of these two elements with good production of the influence against air contributes to the production of smooth legato and short staccato.
usually, narrower opening of the tip creates more resistance. So it tends to be easier to play and has a darker sound. Wider tip holes are looser and require more control. The clarinet mouth with this type of opening is louder and clearer.
When considering forming provides a longer face commanding sound withA simple low tone, because the reeds vibrate more. Clarinet mouths with long lining require better muscle control. Short faces allow the player to easily achieve high notes, but only a small part of the reeds vibrates, which requires better breath control. For most players, the mouthpiece with a medium face can accommodate many game styles and types of reeds.
A good mouthpiece is a combination of the right materials and dimensions, so try many different mouthpieces and find the one that works best with the clarinet of the player. Try the mouthpiece, ES in different settings. Always try new mouthpieces using new reeds, because the idea is to choose a mouthpiece that works on reeds that were not so broken.
One thing that can be prevented from choosing clarinet mouthpieces is buying online. This does not mean that online retailers do not have good products. It simply means that every mouthpiece cannot be precisely duplicated and stands alone. The player must physically try the mouthpiece to make upIstil if it will work.