How can I choose the best rest of the violin chin?

The

well -equipped violin chin provides stability and comfort for the playing position. The process of finding a good rest of the chin is often an experiment and mistake, but to know the differences between types and what makes good adaptation, shorten time and effort in this process. To find out which rest of the chin is best suited, you should consider what style of resting chin you want, curvature that it should have and whether it will have to hold the elevator that is the wedge of the box board mounted under rest. Younger violinists and those who have unusually short arms or narrow shoulders could benefit from resting in the chin. This type of chin will be placed the center of the violin closer to the left shoulder, which slightly reduces the distance that the left shoulder must achieve to play the instrument. Most players, However, find that the chin rest to the left of the tail is more comfortable. Violinists who have more bonneous jaws require more defined curves, while players who have more masier jaws often fit better with a long, low ridgem. Proper curvature will reduce the likelihood of pressure points or ulcers along the jaw.

Finally, you need to find out if you need a chin rest that can hold the elevator. The elevators are usually measured in millimeters and are size from 5-25 millimeters. The 5 -kilometer lift fits under any standard violin chin hardware, but violinists with longer lengths can find that they require viola hardware to ensure their rest and chin lifting.

Inflicingly adapted to the rest of the chin can cause ulcers and muscle tension. Although bad posture or bad rest can also contribute to muscle fatigue, having a true rest of the chin helps ensure that you can keep your violin hands-free without pain in the back, neck or shoulders. The correct rest of the chin will also reduce the chances of developing a neck fiddler, a condition in which bacteria or fungi that accumulate on the tool cause ulcers on the neck andjaws.

Although the right adaptation is by far the most important factor in choosing a violin chin rest, several other things need to be considered. Chin is that the clamping item via Tailflekt instead of above the tool base is less likely to cause damage to thin maple ribs. If you have sensitive skin, you may need to choose a chin rest that has a hypoallergenic metal or plastic hardware. Finally, most of the chin residues are designed to match the wood or plastic of the fingerboard and tuning the tools. Typically, they are made of ebena in the tools of better quality, but lighter forests could also be used for a different look.