What are the different methods of reinforcement of harp?
The word harp can refer to two main tools: harp and accordion. Harpsichord is a large, classic, stringed tool whose strings sit perpendicular to the guitar. Harpsichords come in traditional, acoustic models and acoustic electric models. Harp also refers to accordion, especially blues musicians. There are several ways to choose a harp for a rehearsal or live performance. Two main types of travel are lever and pedal. The lever harp is a more traditional acoustic model. Musicians intensify these tools using a microphone for theater performances.
Many people believe that mini Omni microphones are a great choice for reinforcement of the harp lever. Harpists often place two of these microphonndboard. It is important to avoid the location of the microphones too close to the strings as it can occur and distortion. Placing the microphones on the tool curve brings a great tone for many. Alternative options for OMNI microphones are traditional microphones of instruments such as SM-57.
The second type of Harpsichord, a pedal harp, is also referred to as an electric harp. Sound engineers can make these tools easier to mix on a sound plate and may require less sound improvements because harpers can connect them directly to the PA system or amplifiers. A standard quarter -inch cable with the device is sufficient to reinforce the harp.
Harpsichord pedal is a cheaper and most practical option because they are acoustic electric. These harp include built -in preamplifiers with volume and EQ controls. In this way, the harpists have great control of their sound on stage.
on the counter, reinforcement of harmonious or harp, requires a different method of reinforcement of the harp. Many musicians simply use the traditional vocal microphone to play their accordion, but more serious Blues players decide to specialized bullet microphone, short, sub -, round, round microphone made so, andwould better fit the accordion. These microphones focus on the traditional sound of the Chicago Blues accordion. Starting the microphone using the amplifier provides the best sound tone, especially for rock-and-roll music. Most players prefer a tubular guitar amplifier.
Harpists, or Harpers, are also able to use the effects of pedals with their electric harp microphones. The musician is able to change and diversify the sounds of the tool. The distortion pedal causes the bolder tone and adds sound density for more vintage. Chorus pedal can cause the instrument fuller and more abundant, as if more harp is played at the same time.