What are the features of the Gothic stained glass?

developing from Romanesque architecture in front of her Gothic architecture became popular during the high and late Middle Ages, mostly from the 13th century to the 16th century. This means that the windows of the Gothic stained glass made their debut around 1200 and remained up to 1500 years. Most often, Gothic stained glass windows represented religious scenes, although sometimes they were clearly colored and translucent glass pieces that formed windows, arranged in complicated samples without a person or event.

Although both Gothic architecture and Romanesque architecture were similar in overall shape and size, Gothic architecture represented facades of imagination, more points and longer and wider windows. Architects have designed these windows for longer and wider for many reasons. Aesthetics could be one of them. Despite the fact that some Gothic buildings grew much higher than their Romanesque cousins ​​seem to be the most common reason for larger windows. Used architectic what is now referred to as Gothic stained glass to fill the holes of hugeH size that buildings and people have so far used to. During this time, religion was a daily part of life. Royal qualities, such as castles, were equally likely that they were associated with religion such as churches, cathedrals and other religious houses.

In accordance with this, most of the Gothic stained glass depicted religious scenes or stories in some way related to religion. Translucent, multicolored pieces of mosaic glass were mounted together to show people scenes from the Bible stories or images depicting the life of the Holy. The pieces of stained glass that formed such scenes were richly colored and attached together with lead cams, or dividers. Sometimes each window was a scene itself. Other times, several windows together created the whole scene.

Yet not all Gothic stained glass were religious scenes. Some of them represented different sizes brightColored pieces of glasses arranged in complex samples. These formulas were similar to religious scenes in terms of presentation. For example, like scenes on the Gothic windows of stained glass, which adorned the castles and churches, could consist of one or more windows, so the models could be stained with. The singular window could be a spotless pattern of circles, squares, triangles and other shapes, or the formula could cover several adjacent windows.