What is a fagot concert?

Concerto is a pastor concert with music with a solo transmission player and a large support ensemble. Most target concerts fall into the classic genre. They are performed at formal concerts and are usually paired with other parts for other soloists or which have the same theme or style. However, some of the current fagot concerts are evaluated for the Fagot and the Wind Orchestra, which has no string players, instead of a standard orchestra. Players who want to perform fagot concerts in more intimate environments, or who do not yet have a reputation to work with full orchestras, except in high costs, usually use piano reductions of parts of the orchestra.

Like the Works for Oboe, the Bassaon concerts first began to appear primarily in the Baroque period, specifically in France, where King Louis XIV was an active advocate of The Art and tried to develop more instruments for judicial music. Before this period there was no tool that eventually retreated to the design of modern Fagot, Dulcian, suggestedn in a way that conceived a great virtuosity. Fagot version, for which Baroque composers began to compose concerts and other works with severity had only three to six keys compared to about two dozen modern bassoons.

Perhaps the most important composer who wrote Fagot concerts is Antonio Vivaldi. This is not because Vivaldi's concerts are significantly better than concerts of other composers. The importance of Vivaldi in terms of Fagot's concerts is in the number he wrote. More than thirty fagot concerts from Vivaldi exist in complete form, making it one of the most prolific composers at any time for this particular type of music. Other important composers who wrote the fagot concerts during colored, classic and romantic periods are Carl Maria von Weber, Johann Nepomuk Hummel, Wolfgang Amadeus Mozart, Carl Stamitz and Johann Christian Bach. Current composers who wrote Fagot concerts, belongs to musicians like Friedrich Schenker and Sophia Gubaidulina.

The

concert follows the standard concert form, which means it has three movements. The first and third movements usually have a slight to fast pace and show the dexterity and flexibility that Fagot has in his finger and general technique. However, the second movement, although usually slower, is no less demanding. The second movement is usually the place where the composer requires the player to show the greatest control in terms of breath support, inscription and beauty of tone.

combined, it is not uncommon for it to take 15 to 20 minutes for the movements of the re -combat concert, such as for other tools. The length of the concert of the complete Fagot means that some players, especially the standard recitals, play only excerpts during concerts. This allows them to play more pieces for the audience. Most Fagot players at a professional level, however, do the opposite, but perform a concert in its entirety, usually as half of the concert in which the orchestra or wind orchestraHe also performs other works.

normally, when you perform on the phagot, the fagotists sit down because the phagot is a large, heavy tool. However, when playing at the Fagot concert, Fagotists often stand. This is much physically taxing and requires the player to support the tool with a neck strap or other device.