What is the voice of the head?

Voice voice is a musical term related to the production of the playground by the singer. Some voice experts use this term as a specific voice register or part of the entire voice range. Other experts use this term to mean a set of tones that cause vibrations that occur primarily in the bones and structures of the head, specifically in the pharynx, oral cavity and nasal cavity. According to this perspective, the scope for each register was clearly defined, while some experts even claimed that all singers had switched the registers to exactly the same playground. These experts have seen different registers based on different areas of the body, with all the playgrounds in the head register reportedly generated more from the head. This view largely fell out of kindness.

When people have learned more about how the mechanisms work during voice production, experts realized that all vocal production isSimply the result of the larynx activity and that the point in which the singer passes into the head of the head depends on the amount of intensity or tension in the voice cords. In other words, only voice cords can produce tones. Other areas of the body simply intensify. According to this new point of view, speaking about the head of the voice is unnecessary, because although some playgrounds cause most vibrations to occur in head structures, all voice production starts in the same place. Whether the playground falls into the head of the head is simply a matter whether the playground can correspond to resonant frequencies of the head structures and cause vibrations.

Voice production study led to the division of human voice into seven registers, but only four are widely accepted. In order from the lowest to the highest, it is vocal frying, modal, false and whistle registers. They defined these registers because they noticed that the vocal cords behaved in very specific ways at a particular level of playground and intensity. Most of the speech andSinging takes place in a modal register.

In the modal register, the entire voice cord is connected to the sound production, while Glottis first opens down and then at the top. In the FALSETTO register, the vocal cords vibrate mainly around the edges, while the rest of the cord is released. Understanding these differences, when one sings in a head voice, does not constitute the physiological activity of the Falsetto register, although many vocal teachers and students mistakenly use the concepts of "falsetto" and "head" interchangeably. The activity of the cord remains within the activity of the modal registry. The voice of the head has always indicated a higher playground, so a good definition of the head is the upper pitch of the modal register, which the singer produces without tension and feels especially in the head.

IN OTHER LANGUAGES

Was this article helpful? Thanks for the feedback Thanks for the feedback

How can we help? How can we help?