What is a classic harp?
The classic harp or Harp orchestra is the biggest tool in the Harp family. It has 47 strings that make up six and a half octaves or musical scales and are played with both hands - the left hand pulls the lower strings and the right hand pulls higher chains. It is usually a solo tool, but sometimes it is in an orchestral environment. It can play both melodic lines and chords, like a piano or guitar, which gives it a great versatility.
The construction of the classic harp is complex and leads to a very fine tool. The strings themselves are connected to a curved rod, which is supported by the base of the tool. It is somewhat shaped as a triangle with one corner resting on the ground. To help the harpists navigate the strings, each C is a red string and each F is a black string.
One side of the triangle is withdrawn back against the Harfist body of the musician. When sitting, the harpist always plays and the harp lies between his legs and leans on his right shoulder.
A sound box or a resonation chamber is built into the side of the harp, which is against the harpist. Without a sound box, the harp would not be loud enough to transfer the orchestra. It is common for an audio box to be decorated with carvings or other decorations, purely for aesthetic purposes.
Classic harp is tuned to flat. This means that the harpist can only play notes found in this key. To overcome this problem, pedals are used to generally increase the chain pitch to two half steps.
half the steps are the smallest music division in the music key. The ability to lift the playground one or two half steps allows the harpists to play in any key. There are seven pedals on the classic harp, one of the seven notes on a musical scale. Each pedal changes the pitch of all strings of this particular note.
The chains can also be individually tuned using tuning pins. The tuning of the pins requires them to turn them speciallinge tool. Like any string instrument, a classic harp can come out of the melody due to moisture or disproportionate pressure on the chain. Harpists must regularly check their harp tuning to ensure the best sound. Although it is technically possible for the harpist to settle again for a completely different key, it would be very time consuming.