What is Bouffon doing?

and Bouffon is a type of performance at the French theater, which is focused on the use of mockery as the main element of presentation. The performers who deal with this particular theater expression are sometimes known as boufphones or Jesters . The term itself is in fact a variant of an older term used in the past to describe the style of entertainment associated with some forms of comedy.

The roots of Boufphon are often monitored to develop the opera Buff during the second part of the 17th century and the beginning of the 18th century. As a form of a musical comedy, which used opera settings and styles of general performance, Boufon hardly relied on the use of local dialects, settings that included elements that were common for the audience and brisk pace. The successful Bouffon in this environment needed an accurate dictionary to deliver a rapidly developing dialogue and maintain performance at its accelerated pace.

Jacqueslecoq is attributed to the current ideal of Bouffon. At the beginning of sixtyLecoq has explored a wide range of comedic strategies that included a farce, satire, slap and burlesque. The integration of elements that were common in Buff into these other comedic approaches led Lecoq to create a type of mockery, which was very entertaining, full of satire and irony, moving along the frenetic pace, ideal for experimental moods present in many artistic efforts of this decade.

Bouffone's work involves using many of the same skills and strategies used by comedic entertainers in the whole recorded history. The biting comments associated with the court in medieval times are present at the work of Bouffon. Part of the performance is also a quick pace, as can often be seen in the comedy routines Vaudeville. Using everyday -paast and events help link this comedy approach to the audience because the comedy results from situations that KTEThey can easily identify. Wide physical gestures as well as a fast fire dialogue supplied in clear, but they help specific dialects to complete the foundations of this approach.

There are those who consider the modern performance of Bouffon to be a rather derivative of many approaches to the comedy that have appeared since the beginning of the 20th century. In the recognition of the influence of these different comedy schools, advocates note that Bouffon today uses these elements borrowed from other types of performance in a unique way. According to the advocates of this form of comedy art, it confirms that this artistic form has become a specific technique in itself and is able to stand on its own merit.