What Does a Prosthetist Do?
The cultural relic restoration professional is a profession to repair damaged cultural relics. As a cultural relic restoration professional, it requires professional knowledge in multiple disciplines, and it also requires great patience and perseverance. Due to the lack of relevant professional standards and inadequate training mechanisms, China s cultural relics restorers face a situation of no one succeeding. As of 2012, there were only about 2,000 people in the country, which seriously affected the protection of cultural relics. [1]
Antiquities Restoration
Right!
- Antiquities restorer is a professional against breakage
- Antiquities restorer is responsible for damage
- The restoration of cultural relics can be roughly divided into three categories: research restoration,
- The restoration of cultural relics generally requires multiple technical processes such as spectral analysis, drawing, gluing, reinforcing, filling, and gold foil pasting.
- 1.The relic restoration specialist must not only have
- Lack of heritage restoration staff
- A survey by the State Administration of Cultural Heritage showed that more than half of the 30 million cultural relics in the Chinese cultural relic system were damaged to varying degrees. The cultural relics work of many countries in the world has entered the stage of preventive protection, while China is still in the stage of rescue protection, which means that "it is almost impossible to save". An important reason for this phenomenon is the lack of cultural relics restoration specialists.
- It is estimated that only 2,000 people are actually engaged in the restoration of cultural relics in China. Since the establishment of the Dazu Rock Carvings Museum in 1990, there are only 12 people in the Ministry of Conservation Technology.
- Low status
- The cultural relic restorer said that he was a "three no" person with no academic, social, or economic status. There are 1,838 occupations in China's vocational ceremony, but there is no occupation of cultural relic restoration. Every year, only one-third of new entrants can stay.
- Difficult inheritance
- There are only 17 arts and crafts colleges in China that specialize in the protection and restoration of cultural relics. The inheritance of cultural relics relies more on the traditional method of "master with apprentice", and it takes a long time to see results. Followed by the master for three years, he worked on his own skills and basic skills, and then he was qualified to play with the "property" of cultural relics. If he wanted to complete the work independently, it would take at least 10 years of professional practice.
- Missing industry standards
- In China, traditional restoration techniques are mostly based on personal experience, unlike the West, which is a standardized criterion formed by professional restorationists' accumulated experience. As a major country of cultural relics, Italy established relevant norms and standards in the early 20th century. China only had the Cultural Relics Protection Law in the 1980s. In 2012, the Chinese Cultural Relics Protection and Restoration Industry Standard was still being drafted.
- Facing occupational hazards
- The prosthetics have been exposed to various chemical substances, dust, and X-ray radiation for a long time. Due to the small number of jobs, they have not been included in the scope of occupational disease control by 2012.