What Does an Assistant Designer Do?

Design Assistant (Design Assistant) refers to clothing designer assistant, whose main responsibility is to cooperate with the designer's design drawing and deepening work.

Design assistant

Right!
Design Assistant (Design Assistant) refers to clothing designer assistant, whose main responsibility is to cooperate with the designer's design drawing and deepening work.
Chinese name
Design assistant
Foreign name
Design Assistant
Software requirements
PS, CDR
Definition
Costume designer assistant
Duties
Cooperate with designers to design drawings and deepen work
Speaking of fashion designers, I have to talk about fashion designer assistants. The costume designer's assistant acts as the designer's successor, or apprentice. They learn to learn a lot. For example: First of all, they must understand the designer's thinking and understand the Kanban. Secondly, clothing designer assistants need to understand all kinds of noodles and accessories, as well as the role of various noodles and market prices. Finally, fashion designer assistants need to be proficient in various drawing software. For example: PS, CDR, Ai, etc.
Basic requirements
2. Main duties
3. Post specifications
4. Well-known designers
1. Familiar with the clothing industry, familiar with the clothing sales market, and work hard and diligently;
2. Familiar with commonly used design software, proficient in CAD, PHOTOSHOP operation, and proficient in common office software;
3. Must have good communication and expression skills and strong team spirit;
4. Have strong composition and aesthetic ability;
5. Have certain sensitivity to the fashion industry;

· Pierre Cardin

At the end of 1945, Pierre Cardin stepped into the door of Paris. He found a women's fashion store in Pakan. This fashion store is very famous in Paris, specializing in designing and sewing costumes for some big theaters. The boutique owner interviewed him personally. Pierre Cardin's superb craftsmanship
Pierre Cardin
Served him and was left immediately.
Soon, the goddess of luck reached out to Pierre Cardin again, giving him the opportunity to design costumes for the avant-garde film "Beauty and the Beast" by the famous artist Jean Cocteau. Pierre Cardin's embroidered velvet dress for the character became famous, and a striking star in the Parisian clothing industry began to shine. All this, as he himself later said, "I learned from beginning to end, from drawing, cutting, stitching, testing, to sales, all by myself."
Later, Pierre Cardin worked for a period of time in the boutique of the most authoritative fashion designer in France at the time, Chaparelli. Chaparelli broke into the Paris fashion industry in 1927. At first, she only designed clothes for a small group of girlfriends. Later, one of her black and white knitted pullovers became popular in Paris. There were children's graffiti-like butterfly images on the pullover chest, which was inspired by the pattern of knitted shirts woven by American immigrants. Since then her business has grown larger. Pierre Cardin's fame experience is very similar to her, and it can be seen that he did learn a lot in Shaparelli's fashion store. Dior was the leader
When Pierre Cardin heard that there was a vacancy in the design room of high-end clothing expert Dior, he immediately went to apply. So he was fortunate to be Dior's assistant. This has played an inestimable role in Pierre Cardin's clothing career.
Dior can be called the most important fashion design master of the last century, and the "new look" he proposed in 1947 laid the foundation for his success. After the Second World War, women wore monotonous: military-style flat-shoulder skirts, clumsy and rigid, with traces of vicissitudes and war. Dior changed it to a beautiful natural shoulder shape, emphasizing plump breasts, slender waists, rounded buttocks, highlighting and emphasizing the femininity of femininity, so that women regained their charmParisian ecstatic , The whole world is watching Dior.
In 1947, Pierre Cardin served as the head of the coat and suit department at Dior, and was involved in the birth of the "new look" that caused a sensation in Paris. He respected Dior very much and benefited from Dior. He learned noble, generous and elegant clothing concepts and production skills, but he was not willing to leave people behind for a long time. His desire for creativity drove Pierre Cardin to He left Dior in 1949 to build his own kingdom.
In 1950, it was Pierre Cardin who fought for his future fashion career. With all his savings, he bought a "Pasco" sewing factory on Richmond Street, rented a storefront, started his own company, and quickly became a world-renowned master of clothing design.

· Design Assistant John Galliano

In 1980 John Galliano entered the Central Saint Martins College of Art and Design in the United Kingdom, experimented with painting and architecture, and eventually chose fashion design. His four-year academic career has inspired the most primitive and pure creative desire and self-dream in his heart.
John Galliano
In 1984, he took inspiration from the French Revolution and presented his personal graduation design work conference "LESIN-CROYABLES". The superb novelty of his work caused a sensation throughout the UK. British brand BROWNS even bought the entire garment and displayed it in its shop window just after the press conference. John Galliano's confidence was redoubled by his success. After graduating from college, he opened a personal studio in an abandoned warehouse in east London, and began his dedicated and avid design career.
In 1985, John Galliano quickly branded his personal name. His unconventionality was not only reflected in the non-mainstream features such as irregularity, multi-elements, and extreme visualization, but also independent The return of an art outside of the fashion industry driven by business interests is one of the few designers who first considered fashion as art and secondly as a business designer.
In 1988 John Galliano was voted the best designer in the UK. At each subsequent quarterly fashion show, he introduced new ideas, showing urchin-like thinking.
John Gagliano 1995
(lliano) moved to France to take over Givenchy's designer position, but his personal style contradicted Givenchy's brand aspirations.
In 1997 he took over the chief designer of Christian Dior and successfully achieved the task of rejuvenating the Dior brand. For a ghost like John Galliano, as long as he gives him a fulcrum, he can Subverting all vulgarities and stereotypes, and the name of "the hopeless romantic master" has since become the exclusive title of John Galliano.

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