What is the boom operator?

The

boom operator is a member of the sound team responsible for capturing live sound during film or television files. The name refers to one type of microphone held by an operator called a microphone boom. Work as an operator of boom requires some basic training and also requires the strength of the shoulders and arms, because the microphone must be held for a long time.

The operator can serve as a microphone technician for the whole set, which is in charge of not only the microphones of the boom, but also the area and body microphones. Because of this type of responsibility, it is important that the operator has a good background in acoustics and knowledge of the sound record. The boom operators, often in accordance with the sound blender, must be able to quickly assess the acoustics of any place of shooting and set the microphone system that captures as much sound as possible.

microphonene mostly associated with the operator of the boom consists of a long pole with fromwith a dormant microphone head. There are several different types of microphones boom that can be used with pole, but one of the most basic is called a shotgun. These microphones are held just before the camera frame and usually serves as the main microphone capturing the dialogue that actors speak. The simplest place to hold the microphone is often just beyond the camera frame, which means that the operator must hold the rod over his head throughout the shot, which will never allow the microphone to immerse himself in the frame.

In addition to having to solidify the microphone on the head, the operator must sometimes turn the pole back and forth to get stuck by the location of the microphone. If two or more actors speak a shot, the operator can constantly switch the location of the microphone to catch the words of each actor. The strength and endurance of the shoulders and shoulders are a large part of the boom and the right attitude is necessary to prevent injury to the arm, neck or back.

Operators

boom must be able to communicate easily with sound blendsm, which is usually nearby whenever the sound is recorded. The blender often listens to the headphones to the sound passing through the microphone and can provide valuable information about how the recording is. Occasionally, the operator will also serve as a sound blender and will be able to hear what the microphone is missing directly through the headphones.

We start as an operator of boom and the first jobs can be easily found by contacting film schools. Very few film schools have a sound department, so many student productions require sound techniques. Although these jobs rarely apply, they often provide the necessary equipment and teach valuable skills of onset and allow formation of professional relations. Once the skill has improved, many operators work on freelance using asia contacts to find work or request for sound tasks on independent or low budget shoots.