What are the Baroque hoboles?

Baroque chases are double reed tools that were the predecessors of modern oboe. The edges were originally between about 1650 and 1750. Before the Baroque period, the primary double tool Shawm was. This instrument, which was so loud that it was played only from the door, was the forerunner of the Baroque oboe. It was different from the Baroque oboe in that it was not divided into joints, had a piruette or a place where the player could rest lips and own a wind cap above the reeds. The removal of these three elements has made the Baroque hobo a quieter tool that could be played in the interior with other musicians. In the next few decades, these tools are spreading rapidly in Europe. Each country laid its own rotation on obojská technique and production, while the Italians at the beginning of the 18th century to be more virtuosical. The first of these differences is a key work or their lack. There are only three keys to the Baroque obeys. Thanks to this, Baroque chases look more like modified recorders. On the other handThe struggle has a very complex system of "full conservatory", which almost completely covers the top two joints.

Another difference between the Baroque obeys and the modern oboe is the size of the hole or the inner chamber of the oboe, through which the wind passes when the player performs. The boreholes in Baroque girls are wider than those in their modern counterparts. This is part of the Baroque oboys have a characteristic sound of the sound than their modern counterparts. The width of the hole also means that the pitch of the Baroque oboe can be up to half a tone lower than the Modern OBOE.

In each oboe, the size of the reeds is proportional to the size of the hole. In order to meet a larger hole in the Baroque pigeons, the Baroque hobon reeds are so shorter and wider than those used on modern obstructions. However, they are made similarly to modern reeds.

the final difference between modern hobolies and Baroque hoboles is the wood from which the tool ise made. Traditionally, Baroque holosis was made of boxwood. On the other hand, modern hoboos are usually made of Grenadilla wood. The differences in the density between these forests have another impact on the sound of the tools.

Overall, Baroque chases sound warmer and slightly scattered or stock than modern hoboles. This allows them to mix well with other popular Baroque tools, such as VIRS and members of the violin family. But the sound is still loud, with musicians, composers and members of the Baroque public, he often describes the Baroque obeys as the trumpet Woodwinad family.

Baroque oboe was a popular tool for more Baroque composers, perhaps especially George Frederic Handel and Johann Sebastian Bach. Other composers who wrote for the instrument were Antonio Vivaldi, Tomaso Albinoni and Arcangelo Corelli. The most remarkable Baroque both were probably Giuseppe Sammartini, sometimes called "Handel's Obist" because of the fact that Sammartini played so many handel works with the instrument.

oboists withe sometimes decide to specialize in Baroque playing. These two are familiar with modern oboe, but they play Baroque hoboje in an effort to preserve the authenticity of Baroque hobon music. Players often release recordings of Baroque solos, but also perform at Baroque festivals and similar events with other instrumentalists such as violinists, fluutists and harpsichordists.