What is the correct location of the Banjo bridge?

The correct placement of the Banjo bridge can be determined by measuring the distance to the bridge of the 12. The right position of the Banjo bridge is when it is 12. The sleepers halfway between the matrix and the bridge. Once properly placed, the banjo bridge can be gently tuned by moving slightly forward or back until the desired tone is reached. The location is essential for proper tuning, intonation and gameplay of banjo. The bridge is not secured in any other way than the stress of the banjo chains.

In order to correctly place the banjo bridge, the chains must be released so that the bridge bridge moves around the face of the banjo. After release, you can measure the measuring stick to measure the distance from the matrix to the exact center of the 12. The measurement should be properly recorded or the pencil mark can be placed on a stick in a precise location. The stick can then be used to start in the center12. Sleepers and stretched on the face of banjo and a line of pencils placed on the face for information.

Banjo bridge can then be placed on the Banjo face at the pencil brand and the chains are tightened. It is always best to tighten strings at small intervals. This avoids dragging strings or excess pressure on the bridge or banjo facing unevenly. Once tightened and tuned to the correct spacing, the Banjo bridge can be completed. This is achieved by plucking each chain, individually, in an open position and after taking care of the 12 fret.

Compare the sound of the string when it is ripped in an open position against the same chain, tearing it at a grip to 12. If the cracked note is sharp or higher than the open note, the Banjo bridge is too close to the matrix and should be slightly sliding backwards. If the hands are overwhelmed with a sleeved note flat or lower than an open note, the Banjo bridge is too far from the nut and must be slightly closer to the neck. If it is considered necessary to move Banjo bridge, adjustments should be very minimal and the comparison processOpen and troubled notes can be repeated until the notes are the same pitch.