How can I choose the best professional microphone?
The selection of the best professional microphone is a matter of personal preferences and adapting the features of the microphone with the sound type you want to capture. Some types of microphones are more suitable for recording vocals than, for example, tools. Others are more suitable for live sound than recording studio. Regardless of the frequency response or the type of cartridge you choose, choosing the right microphone ultimately means finding the one that is the best microphone for you.
Your first consideration should be a pattern of picking up the microphone. There are two types: omnidirectional that raises the sound from all sides and one -way that raises the sound from only one direction. MIC with cardioid (or "cardiac") feedback control and rejection of ambient sound. As a result, cardioid type microphones are more convenient for recording vocals and closing of acoustic instruments. Because cardioid microphones reject the sound that is for picking up, they reduce room noise and "bleeding" from other tools in the same SMthe core.
In a professional microphone, cassettes or converters are. The two most common types are dynamic and capacitor. Dynamic microphones are usually used more for sound applications, they can become gross handling and high volume levels without feedback or distortion. They do not require a separate energy source. Capacitor microphones are generally preferred in the studio environment because more sensitive membrane more precisely captures high frequencies and therefore creates a clearer and true sound. Capacitors require a power supply or phantom power battery and tend to be significantly more expensive than dynamic microphones.
by far the most commonly used dynamic microphones are Shure SM57 and SM58 for live vocals and Miking tool. The Shure's economic SM57 also provides surprisingly good results for Price on guitar amplifiers and Snare drums in the recording studio. DiamMysli standard capacitor with large diaphragm vocal microphones are undoubtedly Neumann's U87 and U47, both known to have a significant increase in the presence of the upper radius and a warm, bass tone. MIC, which are similar, but costs less, are AKG C12, Røde NT1000 and AT-4033A and AT-4047.
If you plan to record directly to your computer, you will need a high -quality sound card in addition to the microphone. To compare impedance, a professional microphone will produce small or no sound when it is connected to a standard computer sound card. A microphone amplifier and preamplifier are required to strengthen the microphone output level. Recording engineers agree that investment in a good preamplifier always causes even cheap microphone sound is much better than running the expensive microphone with a cheap preamplifier.
as professional microphones can cost thousands of dollars, home recording studios on a lnosted budget often gets only one high qualityIt is a microphone and a complement to various types of cheaper microphones. It is possible that if a single musician played all the tools on his own album, the same microphone could be used to pass on each individual track. When you narrow your selection to only one quality microphone, select a microphone that complements the vocals, because it is almost always the most important element to be well recorded in the song. The capacitor with large membranes offers sufficient flexibility so that it can also produce crystal clear recordings of guitars, pianos, corners, wooden, drums and amplifiers.