What are the different characteristics of the orchestra halls?

The characteristics of the hall orchestras include good sound transport, articulation response, oxic actions or reverberations and frequency balance. When the Hall orchestra has all these features, the performance of the players carries in the hall with minimal distortion. These properties are therefore essential for optimizing the experience of listening to a member of the audience and maintaining high quality performance that occur in the hall.

One of the first characteristics that architects deal with the orchestra halls is projection. Hallly orchestra routinely sit several hundred or even a thousand or more people. Those who are in the back of the hall are further from the artists, but these members of the audience must still be able to easily hear the sound. In the excellent halls of the orchestra - especially those with high ceilings - the sound is therefore well.

Another characteristic of the orchestras is the articulation that is clear and fresh. Composers often take care of care to direct the duration and access to the playground. When the hall is not properly designed, the physical aspects of the buildingThey disrupt what the composer has written, even if players work very hard to meet the space in which they play. In the good hall, the articles of artists are true and not "muddy".

associated with the ideas of projection and articulation is a reverberation. Reverberation is a continuation of the sound after the sound source has stopped creating noise. In a well -designed hall, balance of projection and articulation. As a result, even though the sound is heard throughout the hall, the hall does not produce distracting echoes.

All sound has a specific frequency or length of sound wool. The bad hall halls tend to prefer the upper frequencies. Subsequently, the artists sound the highest and seem to be properly grounded. The good hall equals the lower frequency with the upper frequencies so that the entire spectrum of sound appears even and no single instrument does not exceed others.

Architects controls four primary properties of HAL orchestras primarily by adjusting the amount of large reflectionsof the surfaces. That is why the walls and ceilings of the orchestras often have unusual projections instead of being flat, and why architects try to make the walls slightly angles. However, this is only part of the inspection. Architects must also choose the right materials because the densities of different materials affect how the sound reflects or is absorbed.

An important point of view with the acoustics of the orchestra is that not all files are the same. For example, a massive 100 -piece orchestra can be stunning if it has the same acoustic considerations as a small quartet. For this reason, architects include ways to modify the Hall, usually by moving panels on the ceilings and walls. It also affects climate and humidity control.