What are different methods of remake?
Studies of different methods of trombone aims to make the best use of the versatile features of the instrument and get the maximum pleasure for the musician and his listeners. Music for trombone is written to bring the best features of the tool and produce quality music. Therefore, good trombone methods make full use of the tool capacity for direct effect. These methods include Legato playing, using Glissando, Trills and Tremolos. Trombon players can also change the character of sound if it is suitable using different sizes and shapes of mute. This means that Legato's basic playing is somewhat more difficult on a rogue than on a ventilated tool such as a tube. Legato playing, however, is part of the technique of the Run and the Reserved Trombonistic Masters The Skill. The use of the image also allows the player to create a glissando effect by continuous air introduction into the tube while moving the slide and this technique can be used for atmospheric or funny effect. The player can also produce the so -called cuivre or the brass sound that isRather louder than normal tool sound.
Some of the rogues are very simple, for example, the command to nap the bell rogue in a specific direction. Others are more difficult for players to produce. Vibrato sound, caused by ripple on tone, can be made either by skillful handling of slides or the movement of the lips of the player. Also caused by the movement of lips are trills, quick movements between two alternative, usually high tones. When the tone alternates between the tones that are more than one tone apart on the pitch, this EFTECT is known as tremolo.
Trombone methods also include the use of different types of mute. The thrombonist can use straight mute from metal or wood, or mute can be shaped as a cup. Losses can be held in place with hand or can be useful through the bell of the tool. To the bucket mutes are attached to the bell and create a somewhat muted tone that is softer than the sound producedwithout a muffle. The player can also use manual mute to cover a larger or smaller area of bell and create a sound that has been described as a "wah-wah" effect.