How can I write a script?
If you want to write a script, you usually need a story that tells and understands the narration method used in the cinema, which is a visual medium. It may be useful to read all the scripts on which you can get your hands, and some people very much benefit from buying books on the scenario. Many individuals also watch a lot of films and pay attention to the way film stories are structured because they often behave much differently than novels or stories. Another key aspect for learning to write a scenario is to understand the format used in screenwriting. Probably it will be very much covered in any books you read, and it may differ a little among different screenwriters, but there is an industrial standard way of presenting the script and knowing how it works, it can be useful.
Because the film is a visual medium, it may be difficult for filmmakers to get into the thoughts of his characters, at least literally without using Narray or pictures. As a result, scenarios have a tendencyor focus on descriptions of character behavior and dialogue. These things are often much central for telling in the film than in the novel. In fact, the average scenario is divided into only three types of writing: scene descriptions, descriptions of events and dialogue.
The descriptions of the scene are usually presented in the direction of the scene, which is also known as the Slug Line. A typical slug line might look like this: "Int. Office - day." "Int" in this case means "interior;" It could have been an "exterior" for "exterior". These differences are mostly useful to allow the future filmmaker to divide the scenes into those that will be shot inside, and those that will be shot outside, which can be important in film production. Below the Slimák line, the screenwriter, who looks scene looks; It is usually written from the present tense third -person perspective, instead of the past tense like most novels.
The second part of an attempt to write a script is to describe the action. To is usually also solved in the present tense of a third party. The example of the description of the action might sound a little like this: "Carrie opens the drawer on his table and removes the document and hand over it through Bill." Sometimes there will be some gentle - or specific - directions of cameras mixed with action in narration, but screenwriters who expect someone else to direct material often avoids these to make the scenario easier and easier to read.
The thing that occupies the largest part of most scenarios is dialogue. Sometimes there are several pages of dialog between each action or description of the scene, although it depends on the type of film writing. The dialogue is generally presented with the name of the character focused on one -line and the actual lines for the character written below.
is usually a dialog on the page about half as descriptions of actions. For example, the edges can be set so that the descriptions of the action and scenes are 6 inches (15.24 cm wide) and the dialog could be set to about 3.5 inches (8.89 cm). Sometimes there are only small descriptions of behavior that wouldThe character was to exhibit in brackets on a separate line between the name and the dialogue.
Another important problem that needs to be considered when trying to write a script is the question of stimulation. Movies usually move much faster than other forms of fiction because they are designed to tell the story at one session. The scenario generally moves faster than novels and time compression techniques, such as assembly, are used to summarize things that could be solved in detail if someone wrote another kind of fiction.