What are the different types of magic tricks?

Every day, literally thousands of different magic tricks are performed and many magicians are working very hard to create new ones. Although it would be a challenge to mention all these individual magic tricks, almost all share several common mechanisms or techniques. By studying these basic forms of magical tricks, one could be able to find out how great illusion or escape is achieved. The secret of magical tricks many times is not in the mechanism or technique itself, but in the showmanship of the Performer and its manipulation with the audience.

Some magical tricks are considered self -service. Anyone who deserves a secret or science behind the trick can always do it every time. Passing a quarter through a hole in the size of a dime is one of the examples of a self -service magical trick. The magician bends a piece of paper with an opening on the dime in half and then places a quarter in a split hole. By bending both sides of the hole, it would fall without tearing the paper. Some magic tricks involving mathematics orThe cards are also considered self -service because the order of cards or numbers does not change.

other magical tricks work through tricks. The objects used in some magical trich are somehow modified to guarantee a successful result. A trick card can have two different suits, depending on which half of the wizard decides to reveal. The species coin can be manipulated to bend in half and compiled "magically" again.

Some magicians use fake thumbs or other attachments to hold the disappeared objects. The elastic belt or sophisticated hooks and strings can quickly pull objects out of sight. In fact, objects broken by psychological forces can be hit by strands filled with voltage loaded inside the table. These types of magical tricks rely on secrecy and incorrect routing to work as planned.

Magictrika ProváEarly, they often rely on incorrect routing and excellent handling skills. Magicians cause coins to disappear using controlled drops or throwing. An experienced magician can place an object in one hand and use the wrong direction to convince the audience to transfer. Meanwhile, the magician has enough time to cover the coin in his palm or pocket.

The same principle of incorrect routing and manipulation is also driven by many magical tricks in the cards. The audience may be displayed a card, but it does not necessarily have to be the same invisible card placed back in the deck. Magic tricks involving incorrect routing and manipulation often require months of practice before they can be carried out in front of a live audience.

Another type of magical trick popular with the audience is the illusion of the stage. These magical tricks are often done on a large scale, with beautiful assistants helping the magician and sophisticated light or musical impulses that control the action. Illusions are essentially on the basis of tricks of snicyslu for vision of the audience.

mirrors held at exact angles can hide partitions under the table. One assistant can see how he enters the box, but two can actually form a visible head and legs. The blade seems to penetrate the assistant's body, but the box actually contains much more space. Even the disappearance of an incredibly large item like the aircraft relies on the belief of the audience that the object is still in the same place.

eventually some magical tricks rely on trick and real physical skills. Escapes and extreme pieces require an excellent level of physical strength and flexibility. The legendary escape artist Harry Houdini relied on the same hidden keys and miraculous locks as brutal power. For example, leakage from a standard straight storage requires knowledge of various restrictions and the ability to generate sufficient amount of release while being tied inside the assistant. Hanging upside down actually helps this process even if viewers canBelieve that this is the main complication. Extreme magical tricks take the basic techniques of incorrect routing and illusion to a higher level of dramatic performance.

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