What is the Byzantine icon?

widely defined as representation or image designed to display the concept or quality of special significance, the icons have appeared in the religious and cultural history of numerous societies for centuries. The icons were portrayed in the media such as stone, textiles, mosaic and metal tiles and were made in two -dimensional and three -dimensional formats. The tradition of Byzantine icons is of a clear importance, because typically two -dimensional, painted forms played a decisive role in the worship of the followers of Eastern Christianity from 330 A.D. Furthermore, they are still valued for their meaningful ones, keeping it, that it is, that it is, that it is, that it is, that it is necessary to take place. Like Christ, Mary, Saints and Angels. Many other icons act as descriptive stories about events, including the crucifixion of Christ. View mytradicly to emphasize the Holy Aura of his objects, not their corporeality. It cannot be said that in the category there is no individual size of the Byzantine icon because these OBThe shocks tend to move from small portable representations to massive panels created to decorate the interior of sacred buildings. During the fight, three -ranges were commonly produced, as well as larger panels that were to be raised to the poles for the display.

Every Byzantine icon served a key function for believers in Eastern Christianity. According to the Byzantine tradition, it was possible to communicate with the entity depicted on the surface of the icon simply by looking at it. The faith was that prayers could be directed specifically to the character represented, and is likely to follow divine help. The Byzantine period has seen a special interest in the class of icons referred to as Acheopoet, which means that they were considered to be created on the basis of a sacred miracle, rather than by the hands of mortals.

Dating back to the earliest days of Christianity, the debate on the use of images and sacred display prevailed. BiBlická warnings of worship of Gravent's pictures have raised the question of the suitability of icons and an important role they played in Byzantium. The eighth century was created intense disagreement between religious authorities and the state that resulted in a general ban on the use and creation of icons. This was followed by the widespread destruction of the icons, and therefore no examples of these pictures created before the 11th century. After the end of the iconoclastic period, the Byzantine icon reappeared as the highlight of religious faith and manifestation throughout the geographical reach of Eastern Christianity.