What is Fuga?

Fugue is the name of the genre of musical composition, as well as a technique that can form a part of a larger composition with other techniques used. As a technique, the practice of repetition of thematic material in each voice of composition, each declaring them and with a material developed by a mimic counterpoint. It differs from the bike that each voice continues after the topic is released and continues to create accompanying materials.

Fugs key elements include exposure in which the main material or subject is played in the tonic key in the first voice and response that contains the same material and portable dominant or subdominary. The first voice can optionally introduce the counterpart. Many other development strategies are perhaps necessary, but it is not necessary.

Although there were a number of Fugue composers that preceded it, the largest is the largest generally considered to be Johann Sebastian Bach, who developed a genre in his works art fugue, Goldberg variations, and m>. Other well -known composers at the beginning of the 18th century include George Frideric Handel and Johann Joseph Fux.

Fugs Johann Sebastian Bach were used in a number of films. "Toccata and Fugue in D minor" is most used, including aviator, sour grapes, the PEST, GREMLINS 2: New dose, electric dreams, speed, wheels, monkeys in Paris, big races, big races and a and and and ////////////////////////// from them> and . Other Bach Fugs that found a place in the movies include:

• code name: cleaner - "prelude and fugue no. 13 in F Sharp Major";
  
• thank you to smoking - "Small Organ Fugue";
  
• Harvard Man - A well-tempered book Clavier 1 : "Prelude and Fugue No. 13";
  
• House of Games - Fugue of "Toccata and Fugue in C Minor"; and
  
• kmot - "Passacaglia and Fugue in C Minor.

, which moved to the classic period, Fugue decreased to importance while developed sonata and symphony. Wolfgang Amadeus Mozart, however, used the Fuguese development in the final movement of his symphony Jupiter, as well as in the prelude to Zauberflöte - Magic Flute in English. And Ludwig van Beethoven employed the Fugal final in Miss Selinis .

The use of Fugue elements in larger episodes continued, with Richard Wagner, who uses Fugal Counterpoint in his prelude to Die Meistersinger - Mastersinger in English and Berlioz. Alban Berg created atonal Fugu at his opera Wozzeck and Igor Stravinsky included one in the other movement psalm symphony . Gradually, in the twentieth century, interest in Fugo became more associated with historical imitation than with the new development of compositional technology.