What is Rondo?
The term rondo usually refers to the classic Rondo, a form for movement within a larger musical work. It is characterized by the main section, which is used to start and end movement and repeats alternately with one or more contrast parts. It's often Ababa, Abac or Abacaba.
Rondo had his roots in the French of the 17th century rondeau , as practiced by Jean Baptiste Lully, François Couperin and Jean Philippe Rameau. Lully developed Rondeau in the genres of opera and ballet, while Cuperin focused on Harpsichord. Rameau - also focuses on Harpsichord Works - both standardized the form and the development of the ternary version, which is represented by ABA CDC ABA.
In the classic period, Rondo happened in the second movement or finals of a larger composition, such as sonata or serenade. In concerts it was a standard selection of form for the finals. The variation that combined with the aspects of Sonata form and came to call Sonata-Gro has also appeared during this time.
After he began using the form in the 70s of the 20th century, Franz Josef Haydn Rondos used in his piano three, string quartets and symphonies. An example is "Gypsy Rondo" from Haydn Piano Trio in G . Mozart used one as the final movement in his Serenada "Eine Kleine Nachtmusik", as well as in many concerts. His "Rondo Alla Turco" awaits his piano Sonata 11 and Figaro's Rondo "Non Pi Pi andrai" ends the act and opera leo di Figaro Marriage of Figaro in English. Beethoven uses Sonata-Grdo in such extensive works as his first symphony, piano sonata in C minor, Op. 13, "Pashetique" and "Rondo à Capriccio" Op. 129 in g major, "rage over the lost penny."
Rondo has also begun to be used as a SEPAFORDULAR RATES. Examples include the first published work Frederica Chopin, its Op. 1 , Franz Liszt's Rondeau FantaStique, and Felix Mendelssohn Rondo Capriccioso for Piano, Op. 14.
As time has passed, the use of Rondo has decreased. However, you can still find examples at the end of the 19th and 20th century, such as Gustav Mahler's Fifth Symphony, Bela Bartók "Three Rondos on Folk Fights", Igor Stravinsky's in D for the Loops Eulenspoiegel's cheerful jokes, after the story of Old Rogue, set in Rondo forms, in English.