What is Arioso?
Arioso is a musical composition that is usually designed for a solo singer, most often associated with opera singing. It accepts speech patterns and declamation style of recitative, but is a little more meter. It is also more like an aria in melodic form.
As Opera evolved in the 17th century, especially in Italy around Naples, composers used recitative or singing that takes the timing and natural flow of speaking to demonstrate what characters feel about their situations. Initially, the recitative kept as close as possible to speech. People called this type of singing of dry recitative or recitative semplice or simple recitative. Later, the composers used the orchestra to dramatize recitative moments. In the end, the composers began to make recitatives more free and melodic, developing Arioso.
Roman musicians clearly defined solo singing into two categories-Green recitative and melodic aria-under the middle of the 16th century. The problem was that it did not exist between the two formsNo real middle ground. The composer Domenico Mazzocchi tried to equalize the recitative and aria with mezz'arie or "half arias", which were short melodic interlets in greater recitative. Yet this approach was more of a free melody interjection. When Arioso finally evolved, she finally created real middle ground between recitative and Aria singing.
Compared to aria, Arioso is usually shorter and also tends to be looser in shape. This makes it an excellent transition between recitative and Aryia passages. However, composers can use Arioso in itself, but to use it to replace recitative or aria. It depends on the preferences of the composer and the context of the scene that the composer is trying to display.
Arioso is found in various types of musical works. For example, it is traditionally a component of opera, but composers also use it with great success in OratoRií and cantatas. This means that it is better to think of Arioso as a singing style than to connect it with any particular genre.
The fact that Arioso is a style and not the genre is no longer illustrated in the instrumental acceptance of this type of musical performance. Once Arioso was firmly developed, the instrumentalists routinely organized Ariosos to enjoy voice works. Understanding that instrumentalists could accept the characteristics of Ariosos, when they played, the composers began to fold Ariosos directly for the instruments in the same way they composed them for singers, even in the titles of instrumental composition, including the word "Arioso". The composer's expectations that the musician was doing work with a great expression allowed instrumentalists to have some rhythmic freedom without eliminating the boundaries in designated music measuring.