How can I become a DJ?
When a young music lover says, "I want to become a dju" these days is the usual answer "What kind?" As the sound technology has exploded in the last two decades, they have become more trace as their music. Some still play songs over the radio, scattered with a commentary, as well as DJ legends like Alan Freed and Wolfman Jack did it two generations ago. Others work in clubs where they often become as many music artists as its suppliers. And unlike the days they remembered kindly Baby Boomers when music of all kinds found their way to TOP 40, today's DJ is often a specialist in a particular genre. For example, reggae DJ can project a very different personality than those in hip hop or classic rock.
To become DJ in the 21st century, it requires more than just love and knowledge of music. It also consists of at least work knowledge of sound equipment and computers. In addition, the traditional radio DJ must still be extrovert because this work will undoubtedly include established establishedThe "remote control" broadcasts from enterprises and community events.
The best way to become a DJ has not changed - learning is by doing it. Most universities have their own radio stations and many local stations offer internships. The increase in career popularity also gave birth to the curriculum of radio broadcasting at many universities.
The time -recognized musical tradition of "paying fees" often comes into play. In the metropolitan areas with multiple radio stations, someone who hopes to become DJ often has to settle for low -converted work (or non -non -non -non -non -non -non -work) in one of the least popular, perhaps working with a "bad" type of music or embarking on the air over time. However, such opportunities still offer quality time with a huge range of devices that will be needed on the road - audio systems, playback devices, music blends, microphones, computer filesFor storing music and all others.
Like many other creative fields, broadcasting business is actually quite democratic. The owner of a radio station or club usually does not care whether the applicant has a university degree or "hard knocks". Rather, the success or failure of the conversation generally depends on the quality of the bankruptcy tape that the promising DJ brings. "Don't tell me," Mantra goes; "Show me."