What is the function of allegory in painting?
The function of allegory in the painting is to represent the selected message using symbolic items or numbers and metaphors. The allegory in connection with the painted works of art is the direct substitution of one symbol with the other, but the one who hints at the same message or story. The word "allegory" comes from the classical Latin and Greek word "allegory", which means "veiled language" or something "figurative", often often meaning outside the picture through a deep study of the artistic work itself. Classical allegory is Virgil's "eclogs", while the more modern version is the "animal farm" George Orwell. Critics sometimes find hints of allegory, where the author or painter does not intend to provide such hints; An example of this is J.R.R. Tolkien's "Lord of the Rings", which some consider an allegory for an atomic bomb and the First World War.
Cicero saw the allegory as a means of encoding letters. Meanwhile, Quintilian believed there were two types of allegory. First there was a personal or historical allegoriE using metaphors and secondly there was a joke and sarcasm. Quintilian believed that allegories, which are too vague to be able to recognize, were a defect in art and literature.
Medieval painters and writers believed that there were four basic functions in painting and literature; They all spun around the Bible. First there was a literal representation, which had no hidden meaning or overtones. Secondly, there were typographic allegories that linked the Old Testament with the new one. Third, there were moral allegories that instructed contemporary behavior. In the end, there were anagogic allegories that looked at future events such as hell, heaven and the last court.
Dutch painter Jan Vermeer is a good example of the use of allegory in painting. His work entitled "Allegory of Painting" eats three allegories, each of which serves a number of functions. First, it represents inspiration and moves the presence of clio. Secondly, the produceHe is an allegory of the history of the Netherlands and Belgium by introducing a fold on the map. This shows the difference between free and Protestant Netherlands and Catholic, but dominated Belgium. Finally, he connects today's artists with artists of the past by displaying anachronistic clothing.
Agnolo bronzino is another example of the use of allegory in painting. One of the good examples is its 1546 piece called "Venus, Cupid, Folly and Time". Some of the allegories are easy to recognize, such as Father, Cupid and Venus. Others, as well as the old lady, ripping on her hair, are open to discussion.
Sandro Botticelli showed his "primavera" in 1482 that allegory in painting can work on multiple levels. The image is obviously an allegory in the spring and then more gently, how it became more fruitful. It seems that the deep subtext of the image revolves around non -lawy love, as shown in graces that seemed to dilute Zephyrus.