What are cello concerts?

and cello concert is a musical work composed of three movements for solo cello - a bowed string instrument, which is a member of the violin family - with orchestral accompaniment. Possible derivation from Latin words Conserere , which means "tie" or "join" and certamen , which means "fight", is presented as a musical composition in which the soloist and orchestra alternate between the period of opposition and cooperation. Although the cello concerts began during the Baroque period of the 16th to 18th century, few of them were written before the 19th century due to the initial preference for the violin and piano concerts. Cello was fully recognized as a solo instrument during the romantic era and for remarkable cello concerts by popular composers such as Robert Schumann, Camille Saint-Saëns and Antonín Dvořák. In the 20th century, the cello was Matcher and the piano and the violin in respect and recognition that it was given as an instrument used for concerts.

One significant difference between cello concerts and concerts that are written for other musical instruments is that the violoncello concerts are often composed of a saving number of orchestral components. The four-cut instrument, larger than some other tools belonging to the violin family, produces sound in a lower register than a piano or violin, causing music produced by the instrument easier to lose between a full orchestra. Compositions of cello concerts are considered to be the most predominant during World War II, written by modern composers such as Sergei Prokofiev, Dmitri shostakovich, György Ligeti and Edward Benjamin Britten.

Probably one of the most remarkable cello concerts is Edward Elgar's violoncello Concerto in E minor, Op. 85 . Written in 1919, shortly after the end of the First World War and immediately after the risky operation Elgar had to remove the infected almonds, it is said that the trucA hlue piece represents an introspective view of death and mortality. It begins with the exchange between the solo cello and the contributing orchestra, followed by the Lightness of the Central Section and the end of the slower version of the main theme of the composition. This cello concert became popular until the 1960s, when the renowned cellist Jacqueline du Pé's recording became a classic bestseller.