What is an orchestra?

The orchestra hit, also called an orchestra or orchestral sting, is a musical effect. Musicians create this by having many different instruments found in orchestras playing one note or chord very briefly, normally for one rhythm or less, simultaneously. Basically, the orchestra has hit function as a musical accent or emphasis, so they are usually used at the beginning or at the end of measures or phrases. Sound can be real or synthesized. Composers and arrangers generally try to include tools from all families of the orchestra, but the sound that the composer or arranger wants is eventually dictated by orchestration. By changing the tools used and how the tools are expressed - ie the register in which the composer or arranger performs great control of the final sound and the force of the intervention. No matter what tools to vote by the composer or the arranger, the goal is to make a hit that is suitable for the mood of the overall work.

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Hit of the Orchestra is traditionally part of the regular composition and writing components, which means that the composer writes intervention directly into the score and dictates every pitch for every instrument on musical states. During the real performance, players take music that comes just before and after the intervention as a reference to how to attack and release the playground. The conductor also has some control over how musicians do intervention as well as space for performance. For example, if the conductor likes a sharper hit, the musicians can let the music play a little shorter than the duration to leave more time between the hit and the other note. Similarly, if the executive hall sounds poorly, the conductor can let the player hit shorter Takaba, the music sounded too muddy.

The hits of the orchestra that are physically written in orchestra music are usually used sparingly, because too many hits can reduce the melody and the overall concept of work. In this sense, the hit of the orchestra rarely focus, but ratherSupport music element. However, there are several exceptions. Perhaps the best example of the use of hits orchestras used outside the simple effect is the "Requiem" Giuseppe Verdi in the opening columns. This movement begins with four massive orchestra interventions in a row, which will cease to become an element and instead become a musical statement or a theme itself.

during the 80s. The musicians used technology to progress to develop a new palette of synthetic sounds. They experimented with different ways of layering instrumental courses and Timbres in the studio and used software instead of living musicians to create different hits for different musical situations. Many of these synthesized hits were stored in digital sound libraries that the composer or arranger approached by will on the basis of the sound he tried to achieve. While hits previously were directly integrated into physical scores, composers and arrangers could now simply remove or add a principleAhy through the computer based on their preference after the initial composition.

Many different software programs have been and are able to produce the intervention of the synthetic orchestra. Regardless of which program uses the composer or arranger, it is still necessary to define what tools they will play and in what octave. Programs allow the composer or arranger to digitally define the length of the intervention by entering the numeric value of the time to play every tool, often the accuracy of hundreds of seconds. Programs also allow the composer to add additional effects such as echo or cause intervention as if it were in a certain area of ​​performance, so the creation of a new hit is an as composition and often time -consuming process.

The use of hits of synthetic orchestra has been extremely popular in hip hop, pop and rock music for about ten years. In the 1990s, however, the hits of the synthetic orchestra became almost a cliché. Composers and arrangers stopped to include in their work with such a high frequency. For this reason they canPeople use the presence of many orchestra hits as a way of dating popular music as they belong to up to 80.