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The first high-speed photography was done by British chemist, linguist and photography pioneer Henry Talbot. In 1851, Talbot affixed a small section of the London Times to a wheel, allowing the wheel to spin quickly in a dark room. As the wheel was spinning, Talbot took a few square centimeters of the original flash (at a speed of 1/2000 seconds) from a Leiden battery (this is a container that can collect charge, which is the predecessor of the current capacitor). Layout. The end result is a clear image, which seems to be taken from a stationary entity, but is actually a moving entity.

High-speed photography

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The first high-speed photography was done by British chemist, linguist and photography pioneer Henry Talbot. In 1851, Talbot affixed a small section of the London Times to a wheel, allowing the wheel to spin quickly in a dark room. As the wheel was spinning, Talbot took a few square centimeters of the original flash (at a speed of 1/2000 seconds) from a Leiden battery (this is a container that can collect charge, which is the predecessor of the current capacitor) Layout. The end result is a clear image, which seems to be taken from a stationary entity, but is actually a moving entity.
Chinese name
High-speed photography
Foreign name
High-speed photography
Country
United Kingdom
photographer
Henry Talbot
High-speed photography in movies is the use of high-speed cameras to slow down the movement, resulting in unique artistic charm. In some movies, the death of the hero is shown, when the soldier falls from a height or falls down after being shot,
High-speed photography [1]
High-speed photography is often used, resulting in extremely slow movements and unique artistic effects. Another example is a modern TV commercial that promotes shampoos. There are shots of women's long hair flowing gently across the screen. These are processed by high-speed photography. High-speed photography in movies is often used in model photography to slow down the model's movements and enhance its authenticity.
Ultra-high-speed photography has a unique performance function in science and education films, which can show momentary actions that are invisible to the naked eye: such as the state of motion when the bullet flies out of the bore; the action process when the football is shot; and we often see a drop of emulsion on TV Beautiful ripples from falling into milk. The blasting effects of the buildings in the movie are shot with high-speed photography. It not only reveals the natural phenomenon that is hard to see by human eyes, but also creates a form of sports beauty, or some kind of meaning and symbol.

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