What is postmodern photography?
postmodernism is the name given to the defining art movement of the second half of the 20th century. Aspects of postmodernism in art and literature include surrealism, abstract expressionism and absurd theater. Postmodern photography is characterized by atypical compositions of subjects that are unconventional or sometimes absent, which is a sympathy with the subject difficult or impossible. Like other postmodern artists, masters of postmodern photography claim that it is possible to ignore "rules" and still create art. Modernism was characterized by the rejection of previous artistic trends, such as romanticism and tendency to realism. Postmodernism took this further by challenging the standard definitions of the "art" itself. Modernism and postmodernism were in the art of the controversial world, and even the meanings of the terms themselves are the subject of debate. The general public was often mystified by these work; Many spectators asked if there were "art" at all that some postmodernists considered to be verifying himICH approach.
postmodern painting was often characterized by an abstract or non -presentation approach; Work often seemed to be random colors or wicking without the prevailing design or meaning. Postmodern photographs occupy the same approach, but the medium offers a special challenge for a postmodernist. The camera captures the perfect representation of everything before the lens. This means that images must be carefully selected to remain abstract. However, too many art is contrary to the postmodern concept.
The word "banal" is often used in relation to postmodern photography. Banal means "ordinary" or even "boring." Given that traditional photography focuses on objects that are interesting, unusual or beautiful, the choice of a banal object for postmodern photography is obvious. The intention is to question the viewer again whether this viewer is an artistic critic, academic or occasionalm passers -by. The artist asks or rather forces the viewer to ask whether the object is ordinary or boring, whether the image is still a work of art.
Photographer William Eggleston was called a perfect postmodernist. Eggleston worked with colorful pictures at a time when critics and curators of the museum considered only "art". While some questioned its selection of format, which was considered common or pedestrian, its eventual acceptance made a color photograph in a valid form for other artists. This illustrates how postmodern art, albeit sometimes controversial or confusing, has benefited the practice of art as a whole.