What does an executive artist do?
Performance is an artist whose work consists of a stage or other public appearances. Technically, it includes musicians, poets and anyone else playing in a public place. In normal use, however, the term performance refers to the class of artists working in America and worldwide since the 1960s. These artists are known for top work that can use music, spoken word and unusual objects in different media; The resulting pieces are sometimes demanding and controversial. Well -known examples include Laurie Anderson, Karen Finley and Spalding Gray.
Modern Movement of Performance artist has grown from surrealism, Dadaism and other anti -artists at the beginning of the 20th century. Artists like Andre Breton and Marcel Duchamp believed that the so -called real art should be more demanding than reassuring. The bored and angry trends of the established art world, created an art that alternately amused and enraged by the art of that time. This culminated in a stage that triggered the audience into real riots.Breton and other surrealists felt that these pieces were successful in shaking the art world.
In the following decades, artists like Picasso, Jackson Pollock and Andy Warhol in the public mind again defined art. In the sixties, these and more radical artists won their own consequences in the art world, while the general public often considered them confusing or alienated. Later, the artists tried to blur the boundaries between art and theater performances, between artist and audience and between art and politics. Among these pioneers were Yoko Ono, Caroee Schneemann and Allan Karpow, creating events and art that would later define a performance artist.
New York City in the 1970s. Here are many early performances of CE like Laurie Anderson or Chris Burden could work in harmony with othersestablished artists, artists and musicians, some of whom did the same radical work. These performers enjoyed public and private support for some time, including grants from the National Art Foundation (NeA), an American federal agency. Their topics were often radical and, for example, focused on physical taboos or political and sexual problems. The performances themselves were as pioneering as Anderson performing the automotive corners or Schaneemann symphony, who blurred her body with raw meat.
These controversial themes and performances were not met in the more sober 1980s. American politicians have teamed up with the financing of such radical art with public money. Especially the artists of performance, including Karen Finley, were selected; As a result, she was not forced to change her funding policies. In the 21st century, more artists found more mainstream success in the performance of the artisy, playing on sold -out crowds around the world. These mainstream executive artists includeBlue Man Group and The Stomp Musical and Dance Ensemble.